Diego Luna Quotes
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I was the happiest kid ever, but I did choose to live around adults and today, now that I have a kid, I don't know if I would let him do it.
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Every time I come to the States, I wish people would react to war like they react to tobacco, for example. Because war really kills in a second lots of people, thousands of people.
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I hate fights. I try to talk people out of fighting if I can and if they start I run away.
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Directors should be paid for promising impossible things.
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My father became completely responsible for my education and for raising me.
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I've gone across that border many times. My son was born in the United States; he is also a Mexican-American with the two passports.
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In film, normally what happens is that not many people work more than once. Normally, it breaks couples. It doesn't make them.
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I can sing 'Love Me Do,' very well.
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I try to always bring topics to the table that matter, topics that I think need to be discussed and reflected on.
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California is one of the strongest states with one of the solidest economies but, at the same time, ignores the reality of its farm workers.
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I definitely promise to always make films about issues that matter to me.
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There is no success you can celebrate more than the success of a brother.
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We consumers have to send a message every day of what we want and what we don't.
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Many times when you're a tourist you can just stay on the surface and not really experience the place you're visiting, which will probably leave you disappointed. Everywhere has something interesting; it's just about being curious enough to find it and scratch where you have to scratch and stay longer and walk further.
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As an actor, you have to believe in the point of view of a director; as a director, you have to be able to express what your point of view is and invite everybody to join you on that journey. So it's always about opening up.
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I always thought of documentaries as films through which you find your voice as a narrator.
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The first time I heard the Mars Volta, I had a feeling I was experiencing something that people must have felt when they first heard Led Zeppelin. They have the same kind of power.
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As producers, we choose who to work with and what films to get involved with. There's no rule, but it has to come from an honest place. It has to come from a necessity.
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In a movie, you work three months to tell a story that happens in two hours. In a Mexican soap opera, you work one day to make a story that's an hour and a half. So you can see the difference in the quality of the project.
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I don't have this feeling like, 'Oh, I want to live in the United States and make movies and become famous just because the money is here.' I like to make movies that tell stories that I care about.