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To me, blues is more of a feel and a vibe, rather than sitting there and saying, 'Well, I'm gonna play bluesy now.'
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I was lucky enough to get to see guys like Bugs Henderson, Jimmy Wallace, all those great Texas blues players.
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Even though I'll do finger warm-ups that go up and down the neck to build up my chops and dexterity, I never, ever sit around and practice the actual licks I'm gonna play live. If you do, then you'll be all worried about the complexity of getting the fingering right and everything else about it, as opposed to the feel.
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Yeah, nothing feels better than knowing that I can put a guitar in my hands at any time and rip - even when I'm taking a crap!
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When you're a little kid, you have nerve. I'd walk right up to whoever was recording and say, 'Hey, dude, what's the lick of the week?'
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On our early demos, I was really frustrated with my recorded sound. I'd tell my dad, 'Dude, I want more 'cut' on my guitar - I want more treble.' And he'd say, 'Now, son, you don't want that. It'll hurt your ears.' But my dad just didn't understand.
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My hair's a pain in live performance. I'm always inhaling it: I almost choked to death a couple of times.
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When I play live, I jump around like an idiot for an hour-and-a-half or more under a lighting rig that's hotter than hell.
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Pantera is the only band I've ever been in, and at the start we used to play covers to make a living.
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When I first started experimenting with harmonics, I'd sometimes hook up two distortion boxes just to get my strings 'frying,' which helped bring out the harmonics.
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You can tune your guitar funky, and something's gonna come out. There's no secret to it - either you got it, or you don't.
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Who doesn't like to play Black Sabbath tunes!
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Some of my favorite harmonics are located between frets. There are two really cool ones between the 2nd and 3rd frets that I use a lot.
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I use some pretty radical harmonics at the beginning of 'Heresy.'
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I was more influenced by players like Randy Rhoads and Eddie Van Halen than by the guys in southern rock bands.
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I love 'Dogman' by King's X and Living Colour's 'Stain.'
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Man, that first Leppard album really jams, and their original guitarist, Pete Willis, was a great player.
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The local dudes who knew that my dad owned a studio would say, 'Ahh, dude is spoiled,' and this and that. But we didn't abuse it at all. I'd always ask if we could use the studio first, and if our dad didn't want us there he would tell us, and that was that. But I definitely tried to get down there as often as I could.
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To get my sound in the studio, I double guitar tracks, and when it gets to the lead parts, the rhythm drops out, just like it's live. I'm very conscious of that.
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'I'm Broken' was a sound check riff.
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Initially, I just used the guitar as a prop. I'd pose with it in front of a mirror in my Kiss makeup when I was skipping school. Then I figured out how to play the main riff to Deep Purple's 'Smoke on the Water' on just the E string. Next, my old man showed me how to play barre chords, and that's when things started getting really heavy.
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I respect the Pantera fans with all my heart.
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I'll sleep anywhere!
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I've become more interested in creating a band sound than trying to outshine the other guys.