Darrell Lance Abbott (Dimebag Darrell) Quotes
When you're a little kid, you have nerve. I'd walk right up to whoever was recording and say, 'Hey, dude, what's the lick of the week?'
Quotes to Explore
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When life knocks you down, keep getting up.
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The records that I grew up listening to had feel, and the drummers that inspired me - like Stewart Copeland, Neil Peart, Phil Collins and Roger Taylor - all had their own voice and individual style.
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I use SPF every day, then apply foundation, mascara, eyeliner and blusher. I always take my make-up off at night and moisturize.
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Today's kids aren't taking up arms against their parents; they're too busy texting them.
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When there's a status quo, usually what shakes everybody up is some sort of military confrontation, at which point we all come running and screaming to pick up the pieces.
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I know someone from growing up who is in jail right now for the rest of his life, but he was one of the sweetest people I ever knew.
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It's great, I guess, when your paintings are hanging up in a museum.
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Sometimes the kids come up with better endings than the real story.
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Women don't give up things. They don't give up responsibilities. They add new things. They exhaust themselves and still don't give anything up. And. And. And. And. And they do all these other things at the same time, which can be exhausting.
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I was playing a defensive guard in 'My All American' who is a really fast runner, so a lot of my training was running. I wasn't too worried about bulking up because he was supposed to be on the small side.
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When you're warm and approachable, you don't have to go up and talk non-stop to someone in a social situation. You just have to be open to the conversations you're already having - and warm and receptive to the people you're meeting.
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My parents would always say, 'It doesnt' matter if it's a guy picking up the garbage or the President of the United States, treat everybody as you would want to be treated.
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I still have mixed feelings about what growing up is - this thing that happens to everyone, so I've heard.
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The perfect day for me is waking up and having a cup of tea with my kids before I drive them to school; Then, I go into the studio and try and write some music for three or four hours and give up about noon.
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I have vertigo. Vertigo makes it feel like the floor is pitching up and down. Things seem to be spinning. It's like standing on the deck of a ship in really high seas.
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Most of my books begin with a nap on my couch here, when I dream up characters and story lines, and then I write on my laptop in the recliner and handle the business side of email at my desk, which is sagging in the middle - maybe from so many words?
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I was always falling in love at a very young age - kindergarten is when I can remember. There was always a crush. And when I was in sixth grade, I started picking up guitar, so I started wanting to write about it and sing about it.
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I don't feel like I'm grown up. I feel like I'm a kid.
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I grew up in England, went to a nice public school, then didn't want to go to university, so I thought I would wander around. I did a season skiing, a bit of sailing, typical spoilt brat stuff. I ended up in the Caribbean. I was having a blast.
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If I didn't end up talking about the things that I care about, I wouldn't be myself. I didn't like the idea that I would be a different person on the internet than I would be in real life. And I see people struggling. I see people who face prejudice and people who feel invisible. And I recognize that I already have a built-in platform that I can utilize so easily to actually do something.
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I don't even own a car.
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I guess the argument of contextuality is that anything is okay as long as it's done by people who are sufficiently unlike you.
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Too much research can be the writer's enemy. You can spend days on end in the British Library or prowling the streets with a Dictaphone, and it's easy to convince yourself that you're working hard. Often, it can be an excuse not to work; a classic displacement activity.
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When you're a little kid, you have nerve. I'd walk right up to whoever was recording and say, 'Hey, dude, what's the lick of the week?'
