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I do feel bad when my films don't do well, but I respect audiences' verdict because they know well which films to support. If they don't like a film, we should accept it.
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I like to collect DVDs of most English films.
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The camera and I have always had good chemistry.
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Fame gives you a high.
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I make it a point to study the character I do, and if the story demands that I wear a particular outfit, I'm game.
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I'm happy with my commercial heroine tag.
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My character in 'OK OK' has a lot of attitude, and it is an interesting one.
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I watch my films with my mum and other family members, you know. I also know there are thousands of women who watch my films. I don't want to set wrong examples.
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When I was shooting in Pollachi, I had tried out a lot of local food, most of them I don't remember the names of.
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My personal life is also cinema.
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As a 17-year-old, I remember positively dreading dance sequences. I would come to shoots, quaking with nervousness at the idea of making other artistes do retakes due to my mistakes.
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Ravi Teja helps the co-artistes, and he is a very kind person.
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The Tamil industry, while being better than all the other film industries when it comes to treating female actors, is still dominated by men. So, I can only work within the space offered to heroines, and I think I am doing that.
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Even when I turn 60, they'll call me a child actor.
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I have painted gods, and goddesses too, and my favourite is Ganesha and Radha Krishna.
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I can say that I don't compete with others and only with myself because I do so many films.
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I don't have a favourite romantic scene, but I enjoy romantic movies like 'Ghost' and 'Music and Lyrics.'
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I always give importance to scripts first, and remuneration is something that comes later.
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As an actor, it is okay to fall and get up. Then you can give your best. Sometimes audiences don't receive it well, but you have to take it in the right sense. It is part and parcel of being in the industry.