Martine Syms Quotes
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A lot of my work, the subject is film and television itself, and history, and how that kind of coincides with larger cultural history and memory.
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I'm really obsessed with this show right now called 'Power,' produced by 50 Cent.
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It's weird how the Internet changes everything. The kind of narrow casting... instead of reaching for a broad audience, you are reaching for a more targeted audience.
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My writing, it's mostly fiction, but I want it to feel intimate and real.
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At some point, all black movies became biopics. All the good, serious ones became biopics. 'Ray,' 'Ali'... those types of movies, those are the opportunities available for mostly men. Those are the opportunities for a black actor to transcend 'black' movies. They have to play a black icon.
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There's a certain amount of absurdity to the idea that having extremely crisp clothes is what's going to get you through the door. And there's a certain sad reality to it, too.
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Growing up in a specific area has a certain sociological and economic reason, so I'm interested in using myself as a case study to look as those things.
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Pop culture or advertising doesn't work perfectly. No one is watching and mindlessly accepting every part of the narrative or ideology.
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There's no reason to be ashamed of feeling good.
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I just have a deadpan sense of humor, I guess.
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There's an uncanniness to living in Los Angeles, from the way you move through the city to the moments of feeling familiarity or deja vu, like you've been somewhere or you know something when you really don't.
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I think I do more fiction than autobiography.
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I definitely think an on-screen experience is universal, in a way.
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People act like art is a white thing - or not for people of colour - when, really, so much culture and art comes from people of colour. I want everyone to get into what I am doing. So sometimes I don't like to work just in an art context because it feels like a lot of people aren't going to see it. I like it to be a part of everyday life.
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I feel like there are actually a lot of relationships between a website and a film in terms of designing an experience for a screen.
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I think the sitcom is the format for television. It's the essential form, and it represents more of the canon of TV, which is why I latched onto it.
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I've always been interested in the manufacturing of narratives, identities, and ideologies, and how they are embodied and negotiated by viewers.