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All I know is don't ever get into a feud with Taylor Swift. She has, like, 50 million people that will die for her. You can't step into that arena.
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If anybody is excited about my music, that's all I care about. I care about people who are excited about new music.
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Klaus from the Teddybears, Bloodshy and Avant and Mike Snow, they've done lots of Britney Spears production. They went backwards from production to being in a band, which might be cool. I might do that, too, one day.
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Sometimes I make more money in a weekend than my grandpa made in a year.
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That's what I care about is the people I work with and representing them and helping to make their music apparent for the rest of the world.
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I see the value in every kind of music, even country.
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I was making crappy beats since I was, like, 17 or 18, using Florida rappers, where I'm from. Then I started DJ'ing because I just wanted to have a new job.
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Dancehall has always had a homophobic problem, but you go to dance parties in Jamaica, and some of the biggest dancers are kinda gay, just not outspoken about it. Dancehall was the first kind of music I was DJing, and it was always more about the rhythm.
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I just love to collaborate with people who take my ideas real serious, and they don't put up walls around them.
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You can never judge any music by their audience. That's the main reason people in England have a prejudice against someone like Skrillex. You judge people by their music. That's always been first and foremost.
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I grew up in Florida in different cities. I was born in Mississippi. My parents moved a lot, so I moved to Tennessee, Alabama, South Carolina, Virginia, all through the South. But my family's roots were from central Florida, like Daytona Beach area, so we ended up moving there.
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Man, I don't read books! I just read a bunch of 'Walking Dead' comics. I don't even read comics, but zombies are something I just can't get enough of.
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I'm not a superstar, per se... but I'm a musical creator - a producer in the same vein as what Quincy Jones was, or Pharrell and Timbaland were.
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Man, the only thing that's important is what is due tomorrow. I don't care what it is as long as it's good.
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People don't know exactly what I do; they just know I'm 'cool.'
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A lot of DJs don't realize they're here today and gone tomorrow. They're literally taking jets to every show. It's crazy how much money they're spending.
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Every day is work for me, but it's also a party. I'm the luckiest guy in the world.
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I used the name Diplo at one show when I was really young, and it just stuck. I never meant to keep it. But it's kinda cool.
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When it comes down to helping kids, a lot of ways for education to move forward is through music because that's exciting to kids. Reading books and going to a bookstore is not that exciting.
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PC Music is a really post-modern attempt at pop.
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I never became a producer to go to parties or wear nice clothes or put sales figures on my Wiki page.
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When I first started producing, all I had was this little crappy sampler called a S20, which had, like, a minute sample time. I was making crappy beats since I was, like, 17 or 18, using Florida rappers, where I'm from. Then I started DJ'ing because I just wanted to have a new job. I was a schoolteacher for a while, and it was the worst job.
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New York feels like the whole city is into dance music. That's not how it felt when I was younger. There was more of a hipster scene.
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As a DJ, it's my job to break new music. And instead of it just being the stuff that's coming from the major labels or the big pop records, I've always gravitated to something that's just different, you know?