Diplo Quotes
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If I make a song, and it's my song, like 'Lean On,' we're going to make money off the synchs, the Spotify, and we get to headline festivals on it. That's the model I want to explore.
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The kids that are making the ghetto stuff I can't even reach are the ones that are inspiring me to play music for the other kids in the city they don't even know about. If I don't get those kids making music, there won't be an original kid DJing like me in five to 10 years.
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There are opportunities that I have because I'm a white dude, and it's controversial because that's just the way that the world we live in kind of is.
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Man, I don't got any real fans. Just fair-weather ones and groupies.
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Classic rock, psychedelic rock - I like to dig up old music and see what I can get influenced by.
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When I worked with M.I.A., who was, like, the coolest person back then, she was just a girl I met on the Internet. Or even when I met Azealia Banks on Myspace, I never thought, 'Oh, she's cool.' I just loved what she was doing. So I've always been like that. And I think, as a producer, that's what you've gotta do.
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If kids can have some sort of social responsibility, that's cool. But if they're not actually having social responsibility, and they're kind of hiding behind it, that's kind of useless, or even worse.
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I think Usher is a bonafide superstar because he's very honest in his songs, and people can relate to that, especially in the feelings and textures of his voice. He is one of the best.
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I think one of the reasons I've been successful is that I can see things before other people do. I've always been able to do it.
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People like me, DJs and producers, have a bigger say and a bigger voice than we've ever had before.
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I appreciate people who are authentic. Someone who just wants to be cool, I can tell when their intentions aren't right.
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It's cool to play the guitar, but to me it's even cooler to scratch a guitar backward and forward, to manipulate it with a turntable. Guitars can't do that themselves.
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I was never good at scratching, but I was good at collecting old records. Florida was a great place for that, because it's where people go to die.
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All of the best songs happen on a whim.
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Good bands won't get famous anymore unless they get really lucky.
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I've realised that if I aim for a successful record, I probably won't have any success. But if I keep making weird things, then hopefully the audiences will come to us.
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I put out this record on Ninja Tune called 'Florida' when I was about 22. And at the same time, I was DJ'ing and beginning to mix stuff up and promote shows in Philadelphia and New York and my own parties and make mixtapes, put out bootleg white labels.
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Even in America, we're not a huge act by any means, Major Lazer.
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Bieber's so talented, he needs to just be himself and be by himself and work on his craft. He has a lot of people around; he has to find the right team to help him make something that's going to stand alone.
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90 percent of the records I make are spontaneous.
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I think you can't really beat Bob Marley, especially the stuff he was doing with Lee Perry. Just that kind of clubby and dark and crazy stuff, even with the Wailers... Some of the songwriting was phenomenal.
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To me, rap music is bigger than who's the coolest rapper, the biggest rapper. It's everything about your personality.
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Money, for me, is just to create bigger and better things. A lot of guys in the deejaying world flaunt it, but I don't see any use in that. I don't need anything. I live in hotels. Most of my clothes I get for free. I like to invest in ideas. In people.
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You can never figure out what the future sounds like. As soon as you make it, it's the past.