Calvin Trillin Quotes
What interests me is what you might call vernacular writing, writing that connects you to a place.
Quotes to Explore
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I like going after good material, well-written material.
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At the Department of Justice, our ability to fulfill our responsibilities - to advocate for victims, to vigorously pursue misconduct, to seek justice in all its forms - depends on public confidence in the institutions we represent.
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The disappearance of MH370 has tested our collective resolve.
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I don't carry a wallet. I keep my cards in my pocket and cash in my boots.
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I think people can tell when you're pandering to them, and they feel insulted. I think that one thing that is really nice about the work that I do is that I can just sort of make mistakes or try out different ideas or be inconsistent and be vulnerable.
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I still have a fear of theater. I don't know if I will manage that. I used to do it. I developed a bit of a phobia. It's not a real phobia. I can go in and watch.
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Some people ask, 'How do you attract the young and so many different people when your poetry is complicated and different?' I say, 'My accomplishment is that my readers trust me and accept my suggestions for change.'
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I like men who paint or write or do something creative.
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Robots are good at things that are structured.
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Irish novelist John Banville has a creepy, introverted imagination.
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I'm a mom, and my view of public education begins and ends with the fundamental question: Is this good for children?
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Part of Michael's uniqueness, I think, comes from the fact that he worked with music. He had a tape which he gave me with many different compositions, really eclectic. These pieces of music were sources of inspiration.
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Isn't it astonishing that all these secrets have been preserved for so many years just so we could discover them!
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I'm not politically correct.
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Be careful the environment you choose for it will shape you; be careful the friends you choose for you will become like them.
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I know what I want to achieve in each book and the major points, but I don't plan right down to the chapters. I think that the characters write themselves in some degree.
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You can't create a monster, then whine when it stomps on a few buildings.
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Schmoozers are brownnosers, sycophants more suited to middle management than to the Wild West of the entrepreneurial world.
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Who owns the NY Post? 20th Century Fox. Talk about vertical integration.
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Long Kiss Goodnight has a huge cult following. They could make another version of that movie right now and make a lot of money.
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If in the infinite you want to stride, Just walk in the finite to every side.
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If you actually succeed in creating a utopia, you've created a world without conflict, in which everything is perfect. And if there's no conflict, there are no stories worth telling - or reading!
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What interests me is what you might call vernacular writing, writing that connects you to a place.
