Domhnall Gleeson Quotes
Has anybody seen 'The Notebook' and not cried? I don't know, I don't know if that's the case. It sort of hangs around for a while.

Quotes to Explore
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When I initially moved to the city, I had to stay in hotels for almost two years. I was fed up of that life, and it was then that I decided that I wanted a home in the city, so I shifted base permanently.
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I never took guitar lessons. I took classical piano lessons from the age of six when we lived in Holland. And when we moved to America, it was just the typical thing except I was really good at it; so was my brother.
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At the lowest cognitive level, they are processes of experiencing, or, to speak more generally, processes of intuiting that grasp the object in the original.
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When I was rising eighteen I persuaded my parents to let me return to Australia and at least see whether I could adapt myself to life on the land before going up to Cambridge.
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We had to get serious and hit all aspects. We had to graduate. That's what you got to do: reach all people across the nation.
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I've learned that the key is to fight with no pressure.
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I had no idea who I was when I started. I was frightened to death and had no natural performing skills.
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The 77 cents that women make for every dollar men earn makes a real difference to our families - families stretching to make every dollar count.
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'LazyTown' is on a mission to move the world to be a healthier place. When we get kids moving, we get their families moving. And when families move, we are one step closer to moving the world. Move the body, move the mind, every day.
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When I let go of what I am, I become what I might be.
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The leader can never close the gap between himself and the group. If he does, he is no longer what he must be. He must walk a tightrope between the consent he must win and the control he must exert.
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I don't want to rap forever. But I want to be rich forever.
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Ever since I was little, my mum used to choose an outfit for me and lay it on the bed so I'd know what I was wearing the next day. I never went to a uniformed school, so I always had an outfit – and I never really grew out of that, I don't think.
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We gave the world dab fever!
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So many girls trying to be models, like, 'Oh my god, I want to be a model!' Nobody really knows the reality of it. It's a lot of hard work, but at the same time, it's a lot of fun.
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In order for sensation to accede to the objectivity of things, it must itself be changed into a thing. The agent of change is language: the sensations are turned into verbal objects.
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Louisiana commenced her existence as a state under a code of laws differing from all the other states which were founded on the common law, in that its code, a new one, was founded mainly on the Civil Law and the Code Napoleon of France.
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I worked as an actor for many years. Then I segued to some non-fiction writing.
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I hate when people don't hear the actual words out of your mouth or even the intent of it. They just hear something completely different.
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I get stubborn and dig in when people tell me I can't do something and I think I can. It goes back to my childhood when I had problems in school because I have a learning disability.
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The hand that gives is among the hand that takes. Money has no fatherland, financiers are without patriotism and without decency, their sole object is gain.
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All rituals are paradoxical and dangerous enterprises, the traditional and improvised, the sacred and the secular. Paradoxical because rituals are conspicuously artificial and theatrical, yet designed to suggest the inevitability and absolute truth of their messages. Dangerous because when we are not convinced by a ritual we may become aware of ourselves as having made them up, thence on the paralyzing realization that we have made up all our truths; our ceremonies, our most precious conceptions and convictions - all are mere inventions.
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Has anybody seen 'The Notebook' and not cried? I don't know, I don't know if that's the case. It sort of hangs around for a while.