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I've always traveled, as a kid my parents moved me around, a different place in Germany every four years. But I got the travel bug when I was a kid, living in different countries.
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I get involved with projects based on three parameters - the script, the actors involved and the director.
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I could always flip between emotions and be available to suddenly do something new. I think it's a part of playing, and you hang onto it when you're a kid.
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I like films that deal with some of those questions that you can never answer: 'Why are we here? What's it about? What happens to us with the choices that we make? What are the ramifications for doing something right, or doing something wrong?' Those universal questions, I enjoy.
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I don't tend to go out that much.
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I like islands.
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When I choose projects, I don't stipulate between film or theatre or television. I receive scripts and I read scripts - and when I read a script that's good, I then get married to it and talk to my agent about what happens next.
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I think a lot of young kids at school are very conscious of trying to keep credibility in case they kind of stand out in a crowd and get bullied by trying to stay cool and stuff. And my whole thing, all the way through school, was I was just a goof... I didn't care.
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What I'm attempting to do is to show people that if I can spend some time with very dangerous spiders and snakes and scorpions, then maybe they'll feel different about the spiders and snakes they find around their areas. I don't need people to keep them as pets. I just like them to be respectful and see that everything in nature has its place.
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Obviously the idea of being human is a very human idea.
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I like relationships and being in love, but I also like being single - you have to embrace all those different things.
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When I go on holiday, I go to places that have animals I'm interested in.
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I think everyone's a geek in some way.
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I have a lot of respect for marriage.