Don Bluth Quotes
I remember when we were doing the first Dragon's Lair, I got really involved with coming up with all the little rooms and what was the danger in the room and going into it with bats and spiders and snakes.
Quotes to Explore
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Guard with jealous attention the public liberty. Suspect everyone who approaches that jewel. Unfortunately, nothing will preserve it but downright force. Whenever you give up that force, you are inevitably ruined.
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I was growing up in the 50's and 60's. Back then they didn't even know what dyslexia was.
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I read books. Remember those? I read them, on paper.
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As wild as I was, when the cops show up, and suddenly you're being handcuffed, it's so deeply shocking and terrifying, the loss of freedom.
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You have another little drink, and I'll have another little drink, and maybe we can work up some real family feeling here.
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Growing up, there were no families on TV that looked like mine.
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When I grew up, the thing boys would do during the summer is work tobacco because it was a cheap product back then. I didn't want to do that. From an early, early, early age, I was like, 'I like music. This performing thing comes easy.' And perhaps that's how I ended up doing what I'm doing today. Being a musician.
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One of the first things I picked up when I was very, very young out of a record store was work from Peter Saville - the early things he used to do for Factory Records.
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I took a lot of time to open myself up to taking chances musically.
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I'm always surprised when actors say they don't like sex scenes. It's like a freebie. It's fun to make out with someone. So yes, thumbs up on that.
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To catch the ball, face up, look at all of my options and then pass. I was playing hot potato. I didn't want to be the guy to stall the triangle.
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I'm still in the Dixie Chicks; we haven't broken up... I love the Dixie Chicks; it's the most fun I've ever had in my life. It was like winning the lottery.
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The Illinois Constitution was written before they realized they'd have a city the size of Chicago in the state. The constitution had severe limits on the ability of any city to raise monies through taxes and bonds. When Chicago grew explosively, they had to come up with ways of getting more money to do more things.
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I've never really felt like a veteran. I've never felt like the guy who's like, 'OK, everyone needs to look up to me and respect me.' I've always just been one of the guys that people are excited to get in the ring with. That's all I want.
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People always think they're in the middle of a revolution while they tend not to realize the enormity of a change that has happened in the past. The telegraph was a revolution, but who looks at it that way these days? The telegraph sped up the transportation of messages over long distances by a huge factor.
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I don't feel like I have to dress up to go to the deli.
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I started recording because I was always complaining about the records that I was getting of my songs. At least if I did them and messed them up, I wouldn't have anyone else to blame.
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Popular ideas about AIDS are based on a hypothesis that does not stand up to scientific scrutiny.
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To the jury foreman in the second trial: 'Mr. Rodriguez? Can I ask you a question? What do you think a grown man up in his 40s is doing sleeping with one little boy after the next, all by himself, locked up in his bedroom, every night? That doesn't bother you? It bothers me.'
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One thing I love about Josh Turner is his faith; that's why I looked up to him so much.
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I was very serene, and I still am, until I start talking in another voice, then suddenly I have a lot of volume and I'm frantic. But I didn't want to be one of those people who's always talking in accents in real life, so I started doing sketch comedy.
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When I did 'Grease,' I took good care of myself. I treated it like a job. I approached it very professionally because I wanted to make a good reputation and hopefully continue on in the Broadway community and continue to do shows.
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There are a lot of self-imposed restrictions by people who somehow believe they have to fall in with a certain military cant. There was always a sense that we had to put things into words that would touch our troops' hearts, not just their heads.
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I remember when we were doing the first Dragon's Lair, I got really involved with coming up with all the little rooms and what was the danger in the room and going into it with bats and spiders and snakes.
