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There is no argument that I won't take seriously.
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We make two mistakes about the ancient world. One is to assume they were better than us - that, for instance, the ancient Olympics didn't involve money-making. The opposite mistake, and just as common, is to think our Olympics are much more civilised than ancient sporting competitions. Neither is true.
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I remember plastering the kitchen with Black Power pictures of Angela Davis.
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All religions throughout history have been concerned about - and have sometimes fought over - what it means to represent God, and they have found elegant, intriguing, and awkward ways to confront that dilemma.
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I'm not in the slightest wanting to attack the women's movement here. But I think that in popular, broadly left-wing, broadly feminist discourse, there is a tendency to just label discrimination against women - and embedded assumptions about them - as misogyny and think 'job done.'
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At 16, I got into local-education archaeology classes - you got to go to summer digs. It allowed me to be both intellectual and a bad girl with a wicked social life every evening!
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The thing about being a university teacher is that you're fairly tolerant about young people saying things they shouldn't have said.
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There's plenty of firm evidence for ethnic diversity in Roman Britain.
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My mom was born before women had the vote in general elections in England.
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What I find very interesting is, we're not enthralled by the ancient world, and we've escaped all kinds of ancient preconceptions and assumptions and prejudices. But, nevertheless, we still make that connection between authoritative speech and male speech.
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You have to do what you feel comfortable with.
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Playing around with other people's husbands when you were 17 was bad news. Yes, I was a very naughty girl.
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People who exploit others come to spend an enormous amount of energy wondering about and justifying that exploitation.
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I have always hated fancy dress parties.
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The web is democratising and also the voice of people who don't think they have another outlet. And that voice can be punitive.
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I loved 'Gladiator,' and I thought its depiction of gladiatorial combat, although it was an aggrandizing picture, was cleverly and expertly done.
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You don't overturn x-thousand years of patriarchy in a generation.
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I think you have to realize that most ancient warfare is really kind of hit and run, honestly. You go and you bash down the walls of some enemy 50 miles away and you take some slaves, you take some cattle, probably a bit of cash too, and then you say goodbye and go home and you probably do the same thing next year - or try to, or they do it to you.
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Wherever possible, I try to see things from the other side of the dividing line and to read civilisation 'against the grain.'
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Beard's secret is always to be slightly on the edge but to pull back from disaster at the last minute.
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I'm very interested in how people in the 19th century travelled to Greece.
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I was not much good as a waitress.
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The reason why the British theatrical tradition is world-leading in Greek drama is because there is a flourishing tradition of people rethinking Greek tragedy.
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However judicious academics may be - not like me - they are all taught to see through crap.