C. L. R. James Quotes
It is in revolutionary periods that the culmination of previous trends and the beginning of new ones appear.
Quotes to Explore
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I started dealing with weapons on the first show I ever did, 'The Inside,' but I didn't really do any physical stuff until 'Alias.'
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I am a genius who has written poems that will survive with the best of Shakespeare, Wordsworth and Keats.
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I tell them the rules are made by the government. Every firm should comply. It doesn't mean they can't compete.
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If something is mine, then I want to keep it.
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Africa is poor because its investors and its creditors are unspeakably rich.
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The first job I ever had was singing in a jazz club when I was like 15 with my friend, and we earned like 70 bucks. We were like, 'Oh my God!'
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I kind of worry about that a little bit - we lost our film culture for 30 years because the Americans came in and bought up all the cinema chains and wouldn't show any Australian films.
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If you are a writer or any kind of artist, if you change something as fundamental as where you live - the way you live - then I think you change the very instrument that is trying to make the art.
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For me, religious festivals and celebrations have become an important way to teach my children about how we can transform living with diversity from the superficial 'I eat ethnic food', to something dignified, mutually respectful and worthwhile.
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I don't fear anyone. We don't come to play in this sport.
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I had just 15 days to work on my body for the climactic fight of 'Bodyguard.' And I would work on every muscle of my body two/three times a week. I would have developed a superb body if I had three months, but squeezing it into 15 days can be harmful. Also, as you grow older, your metabolic rate slows down.
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It's nice to get to know people who are the same age as you that do the same things because it's like a different level of understanding.
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I love doing improv. I love comedy. I have always felt this way, even when I was really young.
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Stand before the people you fear and speak your mind - even if your voice shakes.
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But I think the thing I'm proud of about the film is that there aren't many films - either independent films or mainstream Hollywood films - that are like this; it's of its own times, and it's the film Mike Nichols wanted to make.
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We have to understand that content is king now. And it doesn't matter what the source of the content and where it's coming from, as long as it is workable.
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I've never had a treehouse because I live in New York City. It would be a little bit hard to fit a treehouse in a New York City apartment.
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There were definitely dark nights when you're like, 'Maybe joining the military wasn't such a good idea.' But, in a way, it was the best training to be an actor.
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'Let us leave tomorrow’s trouble for the One who bore our troubles on the cross.'
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I did write more mainstream stuff with DK. But you could always tell the records that I wrote in contrast with everybody else's because the format was a bit different. The harmonies were used in a different type of way. Way more metaphors in the mix.
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If most American cities are about the consumption of culture, Los Angeles and New York are about the production of culture - not only national culture but global culture.
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It's a new town. The old elegance is gone. It used to be one big family, this industry.
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A life lived in fear is a life half lived.
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It is in revolutionary periods that the culmination of previous trends and the beginning of new ones appear.
