Donna Reed Quotes
Quotes to Explore
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The nations of Africa, as is true of every continent of the world, from time to time dispute among themselves. These quarrels must be confined to this continent and quarantined from the contamination of non-African interference.
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I'm afraid to fail again.
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I am always locked in my design studio.
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The struggle to get weapons is continuous, but the United States will aid us, if it finds Israel displaying a willingness for peace.
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I was a scapegoat. The media had to put responsibility on somebody, and I was chosen. They felt free to say that because someone was thin they were anorexic, which is ridiculous.
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I was into basketball, but then once I found contact sports, it was over. I never played basketball again in my life.
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The way I look at it is that somebody in the world, no matter what your field is - teacher, violinist, football player - has to be the best. Why not me?
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We've all heard of the surveys revealing that teenagers think cows lay eggs, and others where children can identify more brand logos than trees, by a staggering margin. My view is that children will form a significant part of the green fightback. They instinctively understand the value of the environment.
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We do have serious energy needs for the country, we are aware that natural gas is especially in demand because of its air quality benefits: 90 percent of new power plants have been natural gas-powered.
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If I can hit No. 1 on the 'New York Times' best-seller list, I'm thinking of having the entire list tattooed on my body somewhere. It would be fabulous.
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Like some high official, you have to tell your brain: 'Do it. Come on. I have to do it.'
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I'd repair our education system or replace it with something that works.
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How are we to live with the desert, in the desert, within the desert?
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My slogan is I'm the least qualified guy for the job, but I'd probably do the best job.
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My first book, 'Radical Acceptance', grew out of the suffering of feeling personally deficient and unworthy. Because most of us are so quick to turn against ourselves, the teachings and practices of radical acceptance continue as a strong current in 'True Refuge': nurturing a forgiving, understanding heart is a basic step on the path.
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I knew David Lynch going to television was going to be something. It was either going to not work, nobody was going to get it and it would disappear, or it was going to be something special and really stand out.
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My mother was madly adventurous. My father was an actor - he worked with Gielgud - and my mother came from a very wealthy family. She definitely wasn't meant to marry an actor, but she eloped with him one lunch-time.
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I went to the studio of Fischli Weiss, and it was magical. I thought: 'This is what I want to do with my life; I want to work with artists and be useful to them.' I was magnetically attracted.
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I learned that kids in show business are so different from regular, average students. They would gather behind you and help you to succeed in any way possible.
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You never know what I'm gonna do.
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Going back to high school and college, I believed I would be involved in public service. I literally could not conceptualize anything else.
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I was about 14 when I started with a theater group; it was like a stage group on the weekends alongside school. And it was run by a group of guys who'd been to drama school themselves in London. So they introduced us to techniques that they'd learn about, and they kind of informed us about improvisation and screenwriting and all of that stuff.
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I was very much a tough New York street kid. I went to a school where you had to learn how to get along with everybody or fight with everybody, and I did my fair share of both. But you have to learn how to get along. I did an awful lot of fighting. I was tough, but I'm also relatively small, so I learned very early on to use my mind.
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What we look for in the school is unrealized potential.
