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What I really can't stand about the feminist revolution is that it produced some of the smuggest, most unselfcritical people the world has ever seen. They are horrible.
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I was taken around and shown things as a 'useful idiot' … that’s what my role was … I can’t understand why I was so gullible.
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There are no laws for the novel. There never have been, nor can there ever be.
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I've worked hard all my life. You have to if you want to get things done.
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I don't write well when I'm sitting there sweating about every single phrase.
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The two women were alone in the London flat. 'The point is,' said Anna, as her friend came back from the telephone on the landing, 'the point is, that as far as I can see, everything's cracking up.'
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There's an unconscious bias in our society: girls are wonderful; boys are terrible. And to be a boy, or young man, growing up, having to listen to all this, it must be painful.
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I've won all the prizes in Europe, every bloody one. I'm delighted to win them all, the whole lot.
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What society doesn't realize is that in the past, ordinary people respected learning. They respected books, and they don't now, or not very much. That whole respect for serious literature and learning has disappeared.
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I do have a sense, and I've never not had it, of how easily things can vanish.
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You want me to begin a novel with The two women were alone in the London flat?
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I do not think writers ought ever to sit down and think they must write about some cause, or theme, or something. If they write about their own experiences, something true is going to emerge.
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I was writing all my childhood. And I wrote two novels when I was 17, which were terrible. And I'm not sorry I threw them out. So, I wrote. I had to write. You know, the thing was, I had no education.
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The Golden Notebook for some reason surprised people but it was no more than you would hear women say in their kitchens every day in any country. … I was really astounded that some people were shocked.
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God knows why nobody ever learns from the preceding generation - but they don't.
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It is terrible to destroy a person's picture of himself in the interests of truth or some other abstraction.
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What really fascinates me is this need that is so strong now that if you read a work of the imagination you instantly have to say, 'Oh, what this really is is so-and-so,' reducing it to a simple formula.
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All I do is give interviews and spend time being photographed.
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I see every book as a problem that you have to solve. That is what dictates the form you use. It's not that you say, 'I want to write a science fiction book.' You start from the other end, and what you have to say dictates the form of it.
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The thing is, I haven't changed at all.
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Sentimentality is intolerable because it is false feeling.
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My mother was a woman who was very frustrated. She had a great deal of ability, and all this energy went into me and my brother.
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I hate Iran. I hate the Iranian government. It's a cruel and evil government.
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I'm compulsive.