Doug Aitken Quotes
Our culture is not this thing to be seen from a distance. We need to be embracing the friction of it all - that is where the energy is.
Quotes to Explore
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Just be patient. Let the game come to you. Don't rush. Be quick, but don't hurry.
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If you want to do stuff, you have to be able to handle controversy.
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For quite a while, I didn't receive a higher academic status. I didn't feel any discrimination against me as a woman scientist, but I hadn't produced a lot of science journal articles.
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I married the first man I ever kissed. When I tell this to my children, they just about throw up.
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I am very much in favor of women's rights, being a woman myself, and I support intelligent, successful, independent working women.
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I actually buy the paper version of The New York Times maybe once or twice a week.
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I'd been ready too, because before Olympic Games, I wasn't compete in big competition like, World Championship, like European Championship. I just competed in national competition.
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The truth is, I don't sketch much at all. I have a very visual/spatial brain that retains a lot of information about maps, directions, positioning, and details, so I usually prefer working out those issues on the page itself.
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My entry into the environmental arena was through the issue that so dramatically - and destructively - demonstrates the link between science and social action: nuclear weapons.
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Jail is definitely not cool. Education is.
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Not long ago I made a list of Doc Ford books I would like to do, and I came up with 11 pretty easily. I like to let the characters go their own ways and see what happens. I find them fascinating.
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The Passion narratives are the first pieces of the Gospels that were composed as a unity.
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Versace designs have always been bootlegged. Now it's Versace bootlegging the bootleg for the bootleggers to bootleg the bootleg.
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The whole melodrama of the Middle East would be improved if amnesia were as common here as it is in melodramatic plots.
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I'm really interested in playing my age.
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I was taught from a young age that many people would treat me as a second-class citizen because I was African-American and because I was female.
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We all accept the visual shorthand used throughout comics: if something's farther away, it'll be drawn with a thinner, simpler line, eventually leaving out most visual information and becoming a gesture, a skeletal representation of a thing.
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When I was younger, I liked money - the feel of it. I would sit with my dad and count his coins and be like, 'Yeah.' I'd saved £700 by the age of 10. I thought: 'What the hell am I hoarding this for?' So I bought a drum kit.
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If we mean to have heroes, statesmen and philosophers, we should have learned women.
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If the movie is quiet I generally feel the audience is busy. That's when they're working.
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I'm interested in the acting and staging of specific emotions, and so I work with actors. It's a small proportion of what I do, but it's always what people seem to focus on.
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Say what you will about the leadership of 'SNL,' they have crafted an institution as opposed to just running a show. I don't think that's by accident.
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The studio is a place where I can experiment before I'm prepared for an idea to become a body of work, or a new way of working, or a way of working that can sustain me over a period of time.
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Our culture is not this thing to be seen from a distance. We need to be embracing the friction of it all - that is where the energy is.
