Doug Aitken Quotes
I think about museums often. There are things that I want museums to do that they often don't. For me, I like it when there's a system within the museum that can continuously change - whether it's a museum that is nomadic or one that's designed so the building can shape-shift. I like restless spaces, and I want to be engaged.

Quotes to Explore
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Twenty years ago my parents wouldn't know who the X-Men were, and now everybody knows that stuff. It means that deconstruction of the superhero is something you can do. All those movies have led to a point where we can finally have 'Watchmen' with a Superman character who doesn't want to save the world and a Batman who has trouble in bed.
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There is always pressure in football.
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If you look at any other group of people suffering injustice, women are always in the worst situation within that group.
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I started writing 'The Lord of Opium' in 2008 and produced about 80 pages before disaster struck. Three eye operations nearly put an end to my career.
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I loved to sing in family parties, for my friends and family. That's how I discovered my talent.
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Filipinos don't wallow in what is miserable and ugly. They recycle the bad into things of beauty.
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For more than 20 years, on every one of the great issues of freedom and security, John Kerry has been more wrong, more weak and more wobbly than any other national figure.
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The laws of morals and the laws of music are the same.
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Music is like my security blanket.
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I'm competitive in that I would like to outsell my last record.
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I hardly can sleep. I feel that my target now is really to save Mother Earth for humanity. And it's doable.
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I think that I am lucky and blessed to have the job that I have, and I am trying to create longevity. If that means that I transition into different things at different points in my life, then that's fine. I also believe that if doors don't open, make new doors, so I've also started producing quite a bit of things.
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If you're a boxer, you have your trainer. As an actor, I have Ivana Chubbuck. She's my teacher as an actress and in this crazy thing called life.
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Children are demanding. They are the most attentive, curious, eager, observant, sensitive, quick, and generally congenial readers on earth. They accept, almost without question, anything you present them with, as long as it is presented honestly, fearlessly, and clearly.
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They say the promise of a witch is like a plain woman, seldom remembered.
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I've come to the realization that a lot of our problems are because of a dearth of spiritual values.
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Things can end badly, as they sometimes do in life. But if they do, then we know that something is wrong, just as we know it when a piece of music doesn’t resolve itself properly at the end. We know that. We just do. And so we prefer harmony.
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My eyes, those sluts, those whores, would play no more.
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Ruth Gordon was such a delight to watch in 'Rosemary's Baby' after I had first seen her in 'Harold and Maude.' And Ellen Burstyn is a hero of mine from 'Alice Doesn't Live Here Anymore,' The Exorcist,' 'Requiem For A Dream.' These women impacted me greatly as an actress.
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Were we all one body, we should lose the tremendous stimulation that comes from the present arrangement, and I fear that our uniformity would become the uniformity of death and the tomb.
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It is as bad to clip conscience as to clip coin; it is as bad to give a counterfeit statement as a counterfeit bill.
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Creativity is the key for any child with dyslexia - or for anyone, for that matter. Then you can think outside of the box. Teach them anything is attainable. Let them run with what you see is whatever they need to run with.
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I think about museums often. There are things that I want museums to do that they often don't. For me, I like it when there's a system within the museum that can continuously change - whether it's a museum that is nomadic or one that's designed so the building can shape-shift. I like restless spaces, and I want to be engaged.