Dr. Dre (Andre Romelle Young) Quotes
Quotes to Explore
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I took my acting very seriously. I did over 40 films, and naturally, some of them were called B-movies because the woman was at the top of the billing. Women couldn't star in their own movies.
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America tends to worship the modest talent because it doesn't put us in an uncomfortable position vis-a-vis the artist.
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I love Harlem, it's like a second home to me.
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I think every fight is different based on who is fighting.
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When you've done a show that's as successful as 'Lovejoy' was, it hangs around for a few years, and people know you from it. I escaped the shadow when I stopped 'Lovejoy' by not doing any television for four years.
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I love Quentin Tarantino; I love Harmony Korine, Larry Clarke.
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In Australia, they really want to turn me into a religion. A religion! Can you imagine? The Church of Edna? Oh. I don't want to be over-revered.
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'Dangerous' is an album that I was very dedicated to. I wanted every song to be a hit.
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Entrepreneurs in the United States and Europe finally figured out how to separate aluminum from minerals cheaply and also how to produce it on an industrial scale.
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When I got on stage, I would have a rush of adrenaline; everybody gets it. Normally after the first night it becomes more controllable, and as long as I could ride the wave, I was still in charge.
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Raquel Welch is someone I can also live without. We've got some love scenes together and I am dreading them!
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My issue with campaign finance is 100 percent disclosure. Wear a suit with patches from your big contributors. Depending on the size of the contribution, that's how big the patch should be.
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I learned from an early age that my heritage, my love for people, and my desire to be a vehicle that can be used through my voice, that my expressions and actions can transport a person to experience a scene from the past, present and future.
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I feel like fashion should not happen in the morning.
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It doesn't matter if people perceive me as being a little strange. I think overall, even when I am on stage, when people see me, I am setting an example.
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You know how in every heist movie they get past the security cameras that show the hallway leading to the diamonds by jamming the screens with a fake signal of everything looking safe and quiet? Usually a guard coughs so they don't notice the blip from switching to the bogus feed.
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I never lose confidence. As soon as you lose confidence, you're done.
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I'm not going to say what was being used in the clubhouse; whatever happens in the clubhouse stays in the clubhouse. But it was not like it was in your face.
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What I wear is constantly evolving. I am really big on comfortable clothes. I love soft, loose-fitting clothing that has some edge or something new/fresh to it.
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I know Italians and I like them. A lot of my father's best friends were Italians.
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In 1972, I recorded Gumbo, an album that was both a tribute to and my interpretation of the music I had grown up with in New Orleans in the 1940s and 1950s. I tried to keep a lot of the little changes that were characteristic of New Orleans, while working my own funknology on piano and guitar.
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It's a vast, lonely, forbidding expanse of nothing rather like clouds and clouds of pumice stone. And it certainly does not appear to be a very inviting place to live or work.
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One felt that the mountains are not completed. The builders are still at work. Stones come rolling and jumping from the upper scaffolding and often from the chasms one hears the thundering as the gods of the mountains change their minds.
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I'm never gonna stop music, it's like air to me.
