Drake Bell Quotes
Quotes to Explore
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In a lot of ways, I wasn't a normal teenager.
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I know I should be Wonder Woman. They need an international actress - a fresh face. They need a woman who's tall, athletic and dark-haired - and an actress who can play the part. That's me. So, I'm coming to L.A. to work hard and meet the industry. And if 'Wonder Woman' comes together, I want it.
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NASA should start thinking about this planet.
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We have the ability to be able, if we have the right resources around us, to really do chop and change and have fun in our time and not just be stuck in one world or the other.
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Serbia did not want to recognize our country in a peaceful way, so that is why they wanted to destroy us. All our efforts to find a peaceful solution were impossible. In order to save the people, NATO had to intervene.
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After the revolution, it might very well remain necessary to place people where they could not do harm to others. But the one under restraint should be cut off from the rest of society as little as possible.
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The good name of the United Nations is one of its most valuable assets - but also one of its most vulnerable. The Charter calls on staff to uphold the highest levels of efficiency, competence and integrity, and I will seek to ensure to build a solid reputation for living up to that standard.
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I love a mask. It's why I've got a thing about good writing. When you're acting, you're going into someone else's work. You're behind his words; it's not you.
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Political theatre presents an entirely different set of problems. Sermonising has to be avoided at all cost. Objectivity is essential. The characters must be allowed to breathe their own air. The author cannot confine and constrict them to satisfy his own taste or disposition or prejudice.
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If you think the system - not you - but if your viewers think that the current political system is working well and serving the interest of our country, then what we're doing will not be attractive.
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Actually, the language in Shakespeare is wonderfully musical. You need to hear the music to connect with the words.
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Spend enough time around success and failure, and you learn a reverence for possibility.
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Career-driven millennials are strategic about working obsessively while they are single and earning enough money to afford advanced education. Most are patient enough to wait until 30 or later to develop their dream.
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The U.S., especially Hollywood, is so strong for film production.
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I've heard people say South Africans are arrogant, that they act no differently from their colonial masters. That needs to change. It's in your business interest as an entrepreneur to form meaningful partnerships. That's how you do well for your shareholders.
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For me personally, I'm always writing from what's happening in my emotional life. Even without thinking about it a lot of the time, it comes out in the songs that I'm writing.
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Love is a portion of the soul itself, and it is of the same nature as the celestial breathing of the atmosphere of paradise.
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That's the miracle of fiction. I use it to spray on certain moments or places from my youth.
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It's important to me that there's not just one story told about our city. 'LSD' is an ode to Chicago, a song for the complicated love I have for my city.
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In my 20s I was going round seeing agents who were patronising because I was fat and a girl, which was a double whammy. I knew what it was to feel out-of-the-loop.
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Who is left in the ghetto is the one man in a thousand in any age, in any culture, who through some mysterious workings of force within his soul will stand in defiance against any master. He is that one human in a thousand whose indomitable spirit will not bow. He is the one man in a thousand whose indomitable spirit cannot bow. He is the one man in a thousand who will not walk quietly to Umschlagplatz. Watch out for him, Alfred Funk, we have pushed him to the wall.
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Love is never easy. It never is. And I'm not just talking about girl and guy, girlfriend, boyfriend, husband and wife. I'm talking about family, friends - all of that.
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There is a legitimate role for development education in the UK, but I do not believe these projects give the taxpayer value for money.
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I fell in love with '50s hot-rod, pinup-girl culture.
