Laura Ingalls Wilder Quotes
Quotes to Explore
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I've known Bezos for decades, since the very early days of Amazon, so it's no surprise to me that he's smart or willing to make big bets.
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Nothing scares me more than people with some doll collection.
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Sometimes I think people get into trouble because they can't say what they want to.
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I have always been an avid reader of chemical literature, eager for what is new.
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I'm not very good at being domesticated. I've tried. The domestic life I find claustrophobic - the rituals and habits and patterns.
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The artistic part of us all - I think that the easiest way to appreciate this - is through architecture. Architecture is very impressive; the beauty of buildings, temples.
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They don't have a lot of appointment viewing. What television depends on, one thing 'Larry King Live' was - whether you liked it, didn't like it - it was appointment viewing.
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For someone who writes fiction, in order to activate the imagination and the unconscious, it's essential to be free.
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My father had a flourishing business as a publisher in North India.
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I hate a man who always says 'yes' to me. When I say 'no' I like a man who also says 'no.'
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One rose says more than the dozen.
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In our local Baptist church, I sang in the choir and formed a gospel quartet. When our minister caught me messing with his guitar, he taught me three positions – one, four and five. After that, I taught myself to play.
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The Central Bank should have a permanent window for discounting high quality securities where banks could go and discount these. It gives peace of mind to the banks. In the absence of this facility, what banks tend to do is to keep a liquidity cushion for emergency requirements. This is a very expensive way of managing liquidity.
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I sometimes look around that studio in the middle of commercials and think, 'Really?'
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I do not think much of a man who is not wiser today than he was yesterday.
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To understand why dictators have a problem with making peace - or at least a genuine peace - the link between the nature of a regime and its external behavior must be understood.
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In studio films, everything has to be boxed in, everybody needs to know beforehand - this is comedy, this is sci-fi, this is drama - and what's the point of independent film if you don't get to experiment?
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Children in their young teens are just moving into the moment when they are most receptive to philosophy and psychology. You can explore these things in stories and, in doing so, give them power and control.
