Drew Barrymore Quotes
- All Quotes
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I really wanted a wonderful, traditional home for my kid.
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A thank-you can be just as meaningful as a soulful ten-page message.
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I don't mind a little Sturm und Drang. When I was doing 'Riding in Cars With Boys,' I wouldn't smile at anybody, because my character, Bev, was angry at the world. I'm the opposite. Inside my head I'd be like, God, I'll explain to you at the end of shooting that I'm not this person.
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I've produced and gotten to do a lot of optimistic love stories, and that was so where I was at for 10 years in my life. And now I feel like, Okay, now I know how to do that. I want to get scared again; I want to feel the way I felt when I started my company, when I started producing.
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Being a Barrymore didn't help me, other than giving me a great sense of pride and a strange spiritual sense that I felt OK about having the passion to act. It made sense because my whole family had done it and it helped rationalise it for me.
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I remember being on film sets when I was younger, and only men got to do the cool action movies. So I thought, 'Maybe I'll get to produce one day and get to do cool stuff too,' which is what happened when we did 'Charlie's Angels.' Starting my production company was a big turning point for me.
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I decided very early on that it took too much of my energy to pretend to be someone else. People will make up their minds about me whatever I do or say, but at least I know I am being true to myself.
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I'm such a profound believer that timing is everything; I would tattoo that on my arm.
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When things are perfect, that's when you need to worry most.
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My life takes me all over the world, and I know how hard that can be on a relationship.
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I love inventive food, but I want the classic dishes to taste like how I remember them. I get a little bummed out when there is too much fancy stuff going on and it doesn't resemble the original dish at all.
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Whether you're throwing up or breaking up, you want your girlfriend right there! I don't trust women who don't go to their girlfriends.
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The stories that I want to tell, especially as a director, don't necessarily have a perfect ending because, the older you get, the more you appreciate a good day versus a happy ending. You understand that life continues on the next day; the reality of things is what happens tomorrow.
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Sometimes I bust out and do things so permanent. Like tattoos and marriage.
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I was raised in that generation where it was all 'Women can have it all!' and I don't think you can. I think something falls off the table. The good thing is that the things that stay on the table become so much more important.
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I really want to understand the mind so I can be more comfortable with the way people are. Being comfortable with people is incredibly important.
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I find a lot of really hot people to be extremely boring because they haven't had to work at it.
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Kisses, even to the air, are beautiful.
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I hate flatscreens. I don't want to see anything in that much pixilation. I don't need to see the pimple on someone's face. I love the world through glass. The more old, dusty and tainted that glass is, the prettier and more impressionistic that is to me. I don't need to see everything perfectly. I don't like it.
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Everyone is like a butterfly, they start out ugly and awkward and then morph into beautiful graceful butterflies that everyone loves.
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I'm a carb queen. I'll always order macaroni and cheese, but I don't want it to be fancy. I want it to be as close to Kraft Services as it can possibly get!
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Of course I want to look good in clothes. And it never makes me feel good when somebody who has an insane figure tells me, 'I eat whatever I want.'
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A few years ago, I bought an old red bicycle with the words Free Spirit written across its side - which is exactly what I felt like when I rode it down the street in a tie-dyed dress.
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As I've gotten older, I've really wanted to find more balance and calm.