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I was 14 when I moved into my own apartment. I was so scared. I didn't know anything.
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I remember being on film sets when I was younger, and only men got to do the cool action movies. So I thought, 'Maybe I'll get to produce one day and get to do cool stuff, too,' which is what happened when we did 'Charlie's Angels'.
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The stories that I want to tell, especially as a director, don't necessarily have a perfect ending because, the older you get, the more you appreciate a good day versus a happy ending. You understand that life continues on the next day; the reality of things is what happens tomorrow.
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It's only through listening that you learn, and I never want to stop learning.
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I grew up in a family that was multifaceted, sexually oriented, and pretty much open to everything. And because I was working, my friends were all adults. I had a tough time going to different schools because people knew me from films and I was the fat child who got beaten up every day.
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I love the very exposed, humorous, imperfect, never-trying to-pretend-to-be-perfect journey that I have been on in my life.
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I love inventive food, but I want the classic dishes to taste like how I remember them. I get a little bummed out when there is too much fancy stuff going on and it doesn't resemble the original dish at all.
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My therapist says I still haven't got in touch with my anger. Maybe one day I'm going to explode. But I'm still really happy. I know it looks like a strange and painful upbringing - all those experiences led me to the paths that I'm on now.
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I am not someone who is ashamed of my past. I'm actually really proud. I know I made a lot of mistakes, but they, in turn, were my life lessons.
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I really want to understand the mind so I can be more comfortable with the way people are. Being comfortable with people is incredibly important.
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I'm such an avid magazine reader - music, art, beauty magazines - and I found that food and restaurants were pouring into everything I cared about. Whether it was the pop-up concept, or some mysterious mini-mall restaurant, I got swept up in the sexy romance of the food movement.
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I love working with the actors eye-to-eye. I think something gets lost in translation, not only through a monitor, but when you leave the area where the actual scene is taking place.
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I never want to get to the point where it's all about my needs, and the hell with anybody else.
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I don't know anybody's road who's been paved perfectly for them, there are no manuals, you don't know what life has in store for you.
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I aspire to be that, to be a voice of reason one day.
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When I was a kid, everything was so unplanned, my parents were so erratic, and my world was so inconsistent.
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It's the worst when you're kissing someone who's not a good kisser, and you're trying to make it look good, but you feel like you're just working on your own.
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I think happiness is a choice. If you feel yourself being happy and can settle in to the life choices you make, then it's great. It's really, really great. I swear to God, happiness is the best makeup.
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Internet does not equal sodium pentothal.
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I grew up in a makeup chair. And to see the women around me getting ready was so aspirational. It's about mothers and daughters, a girl watching her mom at a vanity table.
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I really have created a family. I work with the people I love, I travel with them, I make films with them, and I'm in an office with them. So in a weird way - I know I haven't birthed a child - I feel that I'm a part of creating a family. It's a tribe. I love that word.
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If you're going to be alive and on this planet, you have to, like, suck the marrow out of every day and get the most out of it.
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I do everything in this life-or-death way.
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I'm a carb queen. I'll always order macaroni and cheese, but I don't want it to be fancy. I want it to be as close to Kraft Services as it can possibly get!