Mary Elizabeth Lease Quotes
When I come across writing that really moves me and inspires me, my reaction is twofold. I want to share it with others and I want to draw something that is worthy of it. I love finding quotes that stop people-that really make them think. And I love the idea that my work, combined with meaningful words, can provide comfort or inspiration to someone.
Quotes to Explore
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You rarely get satisfaction sitting in an easy chair. If you work in a garden on the other hand, and it yields beautiful tomatoes, that's a good feeling.
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I started modelling when I was 13, so I learned a lot of things. I actually love doing make-up on other people, too.
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I made lots of talks and challenged lots of people.
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We should work with the principle that a work that can be done at a lower level should never be escalated to a higher level.
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The game of life is a game of boomerangs. Our thoughts, deeds and words return to us sooner or later with astounding accuracy.
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I was trying to be someone for the first part of high school. I was kind of this nerdy kid who didn't want to be a nerd anymore. Even talking about it, I'm embarrassed. I'm like, 'Ugh, why did you care what people thought?'
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If you play cricket for India, money is bound to come, and with IPL in and match money of the Ranjhi trophy, I think money is there. There's no good reason why you should not work hard, because at the end of the day, you want to play for your country.
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My highest point was the first thing I won, a short story competition in a women's magazine in the Eighties. It was the first time I'd had my writing validated, and the first thing I'd ever shown anyone else.
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The thing you notice here after America is how refreshingly ordinary people look because they haven't had their chin wrapped around the back of their ears.
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It's difficult to tell the truth about how a book begins. The truth, as far as it can be presented to other people, is either wholly banal or too intimate.
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Chinatown is tremendously interesting... It's a part of the city that hasn't really been explored in crime literature or in any general literature. It's as though Chinatown didn't exist. People write about New York without mentioning Chinatown at all.
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Collaboration is just, really, a group of people getting in a room with their eye on a very similar prize and wanting to come out with the same show. The director, ultimately, is the guy in front of whom the buck stops. So, he has to have the courage to prevail. But, he has got to have a huge amount of respect for his collaborators.
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However far fiction writers stray from their own lives and experiences - and I stray pretty far from mine - I think, ultimately, that we may be writing what we need to write in some way, albeit unconsciously.
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I put a lot of pressure on myself. I think something's not good enough, and I won't stop until I feel like I've made it. I'm never satisfied.
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Simply put, you believe that things or people make you unhappy, but this is not accurate. You make yourself unhappy.
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It's physically hard for me to work. I start to break down, physically. My joints start. I get weepy eyes. I don't sleep well. I was never a hard worker, I guess. So the voiceover work ethic is really great for me - couple days a month, two hours a day.
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Obviously people read the books in order to be entertained.
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Coney Island is and always will be 'the people's playground.' It's a place where people of all backgrounds come to have a good time.
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Our people are excited about building solutions, and it's rewarding to see how much fun Netscape employees have doing something they think is relevant and important.
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I've always toured solo acoustic.
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I regret waiting until my mid-twenties to really start seeing the world. I think I should have taken more risks when I was younger and worried less about being ready to grow up.
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The very existence of flame-throwers proves that some time, somewhere, someone said to themselves, You know, I want to set those people over there on fire, but I'm just not close enough to get the job done.
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I like to work with multiple sections because they lend themselves to the structure of the poem: its intensifications and arcs and closures. I feel like working with smaller units feels more natural to the way I write poems.
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When I come across writing that really moves me and inspires me, my reaction is twofold. I want to share it with others and I want to draw something that is worthy of it. I love finding quotes that stop people-that really make them think. And I love the idea that my work, combined with meaningful words, can provide comfort or inspiration to someone.
