Mary Elizabeth Winstead Quotes
Going forward, I would love to work with directors like Rian Johnson and Joss Whedon; people like that who are doing big films but do have really independent voices. That's kind of what I want to focus on, is always working with people with at least an independent point of view, even if it's not an independent film.
Quotes to Explore
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I worked as a telemarketer for an SAT-prep company. That was the worst of it, because I had to call people in post-Katrina New Orleans and offer them this very, very expensive SAT class. And I'm not even a good salesman.
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Sometimes things in life take a few years to digest, and they find their way into the work later on. Sometimes I'm writing about things from eight years ago-they just took a long time to distill and come out in the appropriate way.
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People are predominant in my paintings. Although they are not obvious, you can feel their presence.
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Realize that the game of life is the game of, to some extent, being taken advantage of by people who make a science of it. Whether they are in government or personal life or in business, they're everywhere.
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When people do the cowardly thing, it's not about respect, it's about fear.
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There is no such thing as a little country. The greatness of a people is no more determined by their numbers than the greatness of a man is by his height.
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Blending tracks and weaving and manipulating prerecorded music to create this mood, some people do it much better than others.
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We are all seduced by charismatic people, whether it's in your office or in the bus or in the train. There are people who just, like, come through the door, and everybody turns around and looks at them and feels drawn to them.
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I am a member of the Kiowa Gourd Dance Society; I visit sacred places such as Devil's Tower and the Medicine Wheel. These places are important to me, because they've been made sacred by sacrifice, by the investment of blood and experience and story.
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I thought perhaps it should be recognized that religious people, including fundamentalists, are quite intelligent, many of them are highly educated, and they should be treated with complete respect.
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To me, it's weird when people review improv at all.
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Some people believe they chose homosexuality, and some believe they didn't. Who's to say one is wrong? It's not fair to generalize anyone's sexuality or walk of life.
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I think great artists have no time to waste with having disproportionate egos and irrational requests. They're too focused on their work to actually lose themselves in hysterical spirals where they become monsters or tyrants.
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Anyone in the humor business isn't thinking clearly if he doesn't surround himself with idea people. Otherwise, you settle for mediocrity - or you burn yourself out.
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There are two types of courage involved with what I did. When it comes to picking up a rifle, millions of people are capable of doing that, as we see in Iraq or Vietnam. But when it comes to risking their careers, or risking being invited to lunch by the establishment, it turns out that's remarkably rare.
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To denigrate the union movement in this way is to denigrate the right and the ability of people who are not rich to organize and to accomplish things together.
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Cheney was among the best secretaries of defence the country has ever had. He was a very effective White House chief of staff. He did not make many enemies, and he had the ability to persuade people with that soft tone and very reasonable style of his. He's always been exceptionally good as the right-hand man.
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I know this independence is what people like most about my brand.
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I was brought up by two people who just said, Whatever it is you're interested in, go do it. There is no winning or losing. You find out when you do it what the experience is.
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Both the IDB and Fundacion ALAS believe that the future of prosperity and equality that we hope for has to start today with higher investment and higher quality in Early Childhood Development programs throughout the region.
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She glimpsed the pink flowers of a magnolia protesting against the black-and-white half-timbered facade of a mock-Tudor side street.
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One flesh. Or if you prefer, one ship. The starboard engine has gone. I, the port engine, must chug along somehow till we make harbour. Or rather, till the journey ends.
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Going forward, I would love to work with directors like Rian Johnson and Joss Whedon; people like that who are doing big films but do have really independent voices. That's kind of what I want to focus on, is always working with people with at least an independent point of view, even if it's not an independent film.
