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Sometimes I write from the point of view of characters whom I would dislike as people, not as a perverse exercise, but because this cracks the story open and makes me see it in a way I would not see it naturally.
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I used to start at about 10 at night and work until early morning. My preferred way to work is to start in the early afternoon and work until about 3, go do errands, have dinner, and then write for a few more hours in the evening.
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Anne Frank's diary made a very big impression on me at age 12 or so.
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It's scary to me to watch the world around us get less and less physical while in the imaginary world of pop culture, aggressive impulses and fear reactions are floridly, furiously stoked and indulged.
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At 16, I was in Toronto and very shy and not hanging around with anyone who was intellectual in the slightest, so I didn't really have the means to discuss what I was seeing and feeling.
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Where I grew up, in the Detroit area, there was a really good station. Sometimes you would hear songs for the first time on the radio, and if a really special song came on, somebody would turn it up, and everybody would just stop talking.
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I didn't start thinking about what I wanted to do professionally until I was 17. I was a hippie, but I did write.
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Somebody once said to me, 'If you want to be understood, don't write fiction.'
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One hot summer night in San Francisco, roughly 10 years ago, I was sitting in a crowded Pacific Heights restaurant when Alice Adams walked in with a man. She was about 60 at the time, and she was wearing a skirt that fell an inch or so above her knees and flat heels without stockings.
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Monogamy is desirable for many reasons, especially in creating a stable, emotionally connected home for children. But judging from centuries of human behavior, it is also a very difficult standard to meet.
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Stories are the rich, unseen underlayer of the most ordinary moments.
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You can't tell an 18-year-old to keep it down and turn off Britney Spears or whatever it is that they listen to.
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I think people try to make the most of their time on Earth and also to 'fix' their time on Earth.
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Between my hatred of mall shopping and my mother's firm ideas about how a girl should dress, my style choices were pretty unenthusiastic: plaid skirts or whatever empire-waisted thingamabob was on sale at Sears.
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Having watched television, I would kind of play the role or picture myself on a television show or something like that. That's maybe always been true of a certain type of kid, even before television maybe, but I think it's been amplified to an insane level.
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When I was writing 'Bad Behavior,' I was very, very quiet. I would just sit there and listen to people. And if I was out in public, I was usually quiet, and people tended to assume I was stupid because I was a young, pretty girl who's quiet.
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I loved to read and would read anything that roused my interest, whether it was below my age level or above it, even if I could barely make sense of it.
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Writing requires an intense inner focus, and sometimes you need to express outward, physically or socially.
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Not being locked into one set of feelings, which you run the risk of mistaking for the truth, you have greater and more intense access to all feeling states, including those you would never choose to act out.
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If anything is scary about my writing, it's that it's the product of a very particular vision and doesn't reference common speech that heavily. By 'common speech,' I don't mean language as much as an agreed-on way of seeing, or a shorthand.
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People say that if you talk too much about sex, you take away the mystery. I say, if you're somebody who likes to talk, talk all you want - it's not listening. You will never take away the mystery.
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Something like riding a horse - which I've recently started doing - requires courage, especially for me, as I started out being actually scared of horses.
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People sometimes turn out to be almost the opposite of how they present. It isn't because they're trying to fool you or because they're hypocrites. It's because they badly want to be that thing, and so they'll try to be it.
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I've noticed women my age and a little younger, anywhere from 35 to 50, saying, 'Who would want to bring kids into a world like this?' Or, 'I don't want to spend my life that way. I want to do my artwork.' And they're very unapologetically stating this.