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When my parents were like, 'We're going to the Northwest,' I thought, 'You've gotta be kidding me.' I was so depressed. The cold weather really did not agree with me. When I moved back down to L.A. at 16, I felt like it was home - it was where I belonged.
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When I think about 'Since U Been Gone,' I think the first thing that comes to mind is 'Livin' On A Prayer' - they're kind of like sisters, a little bit. And 'Call Me Maybe' was so wildly original, and so quirky, and so satisfying.
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I have been doing some writing on the side a little bit with artists that I'm really excited about. Kind of more up and coming people. But, I'm focusing more on my own project. It's a full time job being an artist!
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I like big, soaring melodies and fun, splashy lyrics. Maybe like what Blondie would do in 2013.
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I love shoes. I am a shoe fanatic. I love my Giuseppe Zanottis - he is my favorite. I have them in every color. Other than shoes, it's important to have a great black leather jacket.
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I feel like a lot of pop singers hurt themselves if they don't have the proper training.
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I had never really co-written. I thought it was weak or something if I needed to collaborate.
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I'm visually stimulated, so I watch TV, movies, even Pinterest. A song could come from something as simple as being words splashed across a billboard or changing everyday turns of phrases.
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It's great to just reach out and give something to the fans when they're hungry for it.
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I think what it means to be an 'American Girl,' and what I wrote the song about, is our freedoms. The idea that we as Americans can be what we want to be and say what we want to say and that we take it for granted.
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When I moved to Seattle in fourth grade, I joined the Seattle Girls' Choir. It's a world-class choir, and we competed, toured Europe, and went and sang at the Vatican, so it was a really awesome experience to have that young.
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I was invincible. I believed all my problems were gone and I finally made it, that L.A. was my answer to everything.
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If I know I will be working with someone and they are not keen with writing with a girl, I like to be non-threatening and cool so they will trust me. It's a thought process of who work and how I want to present myself.
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I know 'Hallelujah' isn't actually a Christmas song, but it has that cozy, haunting vibe that sounds like a winter's night and belongs by a fire.
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I've been singing since I could talk, pretty much. My dad was really musical and taught me how to sing harmonies and got me a karaoke machine with tape decks.
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People like hearing songs that sound like something they've heard before, that's reminiscent of their childhood and of what their parents listened to.
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When I get an artistic itch, I have to scratch it.
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A lot of times, if you're not getting inspiration right away, we'll listen to stuff to get inspired.
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'Teenage Dream' was the most difficult song I've ever been a part of. We wrote five different versions of it. We couldn't get the lyrics right. Max Martin and Dr. Luke wrote most of the melody, and then Katy Perry and I were responsible for getting the lyrics right.
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When I write for myself, I think about myself and draw from my own experience.
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When I'm dealing with Britney Spears and Katy Perry, these massive brands, like, really, very Coca-Cola, you know what I mean? There are certain kinds of standards. There are risks you can take, and there's risks that you don't. And I think I'm interested in taking a little more risk in my own music.
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I have a notebook of concepts. There are titles everywhere if you are looking for them. I pull from them. There is a secret list that I keep for myself about what I want to sing about, and those are the ones I know I am not going to give up for someone else.
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I always had the fantasy of Hollywood and Los Angeles and the beach, not realizing that Hollywood was so very far from the beach.
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My No. 1 is Johnny Depp, ever since 'Cry Baby.' He had my heart.