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I like big, soaring melodies and fun, splashy lyrics. Maybe like what Blondie would do in 2013.
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I love shoes. I am a shoe fanatic. I love my Giuseppe Zanottis - he is my favorite. I have them in every color. Other than shoes, it's important to have a great black leather jacket.
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I saw Tina Turner do 'Proud Mary' on TV, and it was so electrifying and such a unique experience. I remember crying out of excitement, and I knew that I wanted to be a performer and make people feel excited and moved, and that's why I gravitated towards it.
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I have been doing some writing on the side a little bit with artists that I'm really excited about. Kind of more up and coming people. But, I'm focusing more on my own project. It's a full time job being an artist!
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When I think about 'Since U Been Gone,' I think the first thing that comes to mind is 'Livin' On A Prayer' - they're kind of like sisters, a little bit. And 'Call Me Maybe' was so wildly original, and so quirky, and so satisfying.
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I feel like a lot of pop singers hurt themselves if they don't have the proper training.
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I know 'Hallelujah' isn't actually a Christmas song, but it has that cozy, haunting vibe that sounds like a winter's night and belongs by a fire.
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I had never really co-written. I thought it was weak or something if I needed to collaborate.
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People like hearing songs that sound like something they've heard before, that's reminiscent of their childhood and of what their parents listened to.
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I'm visually stimulated, so I watch TV, movies, even Pinterest. A song could come from something as simple as being words splashed across a billboard or changing everyday turns of phrases.
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When I moved to Seattle in fourth grade, I joined the Seattle Girls' Choir. It's a world-class choir, and we competed, toured Europe, and went and sang at the Vatican, so it was a really awesome experience to have that young.
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I think what it means to be an 'American Girl,' and what I wrote the song about, is our freedoms. The idea that we as Americans can be what we want to be and say what we want to say and that we take it for granted.
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A lot of times, if you're not getting inspiration right away, we'll listen to stuff to get inspired.
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When I get an artistic itch, I have to scratch it.
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I was invincible. I believed all my problems were gone and I finally made it, that L.A. was my answer to everything.
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'Teenage Dream' was the most difficult song I've ever been a part of. We wrote five different versions of it. We couldn't get the lyrics right. Max Martin and Dr. Luke wrote most of the melody, and then Katy Perry and I were responsible for getting the lyrics right.
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If I know I will be working with someone and they are not keen with writing with a girl, I like to be non-threatening and cool so they will trust me. It's a thought process of who work and how I want to present myself.
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When I write for myself, I think about myself and draw from my own experience.
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My No. 1 is Johnny Depp, ever since 'Cry Baby.' He had my heart.
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I've been singing since I could talk, pretty much. My dad was really musical and taught me how to sing harmonies and got me a karaoke machine with tape decks.
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In my mind, I imagined L.A. to be skyscrapers on the beach. Of course, that's not what it actually looks like. And growing up watching 'Beverly Hills 90210' and 'Melrose Place,' I always had an obsession with L.A. and California in general.
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It's great to just reach out and give something to the fans when they're hungry for it.
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For 'Dynamite,' Max and Luke went to dinner and left me with a melody, and then I put it together.
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'Teenage Dream' was the hardest breakup for me.