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Less than 1 percent of American have served in 12 years of war, and serious public conversation about military policy is sorely lacking.
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Supposedly, going to war initiates you into this gnostic priesthood of people who've had a liminal experience forever separating them from civilians. Except... you go there, and it is what it is. A form of human activity as varied as any other.
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War is an arena for the display of courage and virtue. Or war is politics by other means. War is a quasi-mystical experience where you get in touch with the real. There are millions of narratives we impose to try to make sense of war.
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Marines and soldiers don't issue themselves orders; they don't send themselves overseas. United States citizens elect the leaders who send us overseas.
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One of the things that's difficult for people to understand is when you join the military, you don't sign up as an endorsement of any particular policy of the moment.
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I was studying with Peter Carey, Colum McCann; but also, my fellow students were really critical readers for me.
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I was a public affairs officer. I worked with the media, but I didn't just stay at my desk. I assisted in military duties, travelled around Anbar province, hung out with a wide variety of Marines.
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I grew up a little north of New York City and went to high school at Regis, an all-boys tuition-free high school in Manhattan.
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A lot of times, you're interacting with people for whom you're one of the very few veterans that they've met or had a lot of interactions with, and there's a temptation for you to feel like you can pontificate about what the experience was or what it meant, and that leads to a lot of nonsense.
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I doubt there's anything you could say to Donald Rumsfeld that would puncture the armor of his narcissism.
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I write in coffee shops, libraries, parks, museums. I get antsy and then get on my bike and go someplace else, letting the ideas spin around in my head as I dodge taxis.
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I saw so many radically different versions of Iraq. It would have been difficult for me to come back and think, 'This is the Iraq experience.'
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In a strange way, you have to have a certain amount of distance from a thing in order to be able to write about it.
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There's a very particular way that the military speaks. There's a lot of profanity and a lot of acronyms.
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I suppose it is the lot of soldiers and Marines to be objectified according to the politics of the day and the mood of the American people about their war.
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War is complicated and intense, and it takes time and thoughts to understand what it was.
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I did try to write in Iraq, and I failed. I think you just don't have the brain space for it.
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At least for me, writing a book is continual exposure to blind spots. There were things I wanted to be true and wanted to believe, but it always got more complicated in the fiction.
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The wars in Iraq and Afghanistan are as much every U.S. citizen's wars as they are the veterans' wars. If we don't assume that civilians have just as much ownership and the moral responsibilities that we have as a nation when we embark on something like that, then we're in a very bad situation.
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I have two friends named Matt. They're both scouts in the cavalry. They both served in the same section of Iraq. They both worked with the same Iraqi translator. And yet, if you talk to them, their stories couldn't be more different, because one was there in 2006. One was there in 2008.
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I literally went straight to New York City from Iraq, which was bizarre and complicated. I was walking down Madison Avenue, and it was spring, and people were smartly dressed, and it was so strange because there was no sense that we were at war. It was something to grapple with.
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People should be able to tell stories that are important to them to try and understand what they mean. I don't think you figure anything out on your own. Certainly not war stories.
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The civilian wants to respect what the veteran has gone through. The veteran wants to protect memories that are painful and sacred to him from outside judgment.
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If you write a novel where war is nothing but hell and no one experiences excitement or cracks a dark joke, then you're not actually admitting the full experience.