Paula Creamer Quotes
I like it when, you know, 3-under wins, you know, 20-under par, it just brings so many other people into contention.

Quotes to Explore
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I care most about how people live their lives, what choices they make, and how they get the best from themselves.
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Anytime you hear different things - whether it's trade rumors or people saying you're not living up to your complete potential - you're obviously going to get ticked off about that.
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Walking down the street in any town or city in the world and having people look at you and start talking to you, convinced that they know you as well or better than they do members of their own family, that's just an odd phenomenon. But I mean, I wouldn't say it was a bad thing. It's an interesting thing.
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When you wash your hands, when you make a cup of coffee, when you're waiting for the elevator - instead of indulging in thinking, these are all opportunities for being there as a still, alert presence.
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We in Congress stand by Israel. In Congress, we speak with one voice on the subject of Israel.
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Why should people go out and pay money to see bad films when they can stay at home and see bad television for nothing?
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People have got to get together and work together. I'm tired of the kind of oppression that white people have inflicted on us and are still trying to inflict.
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I've always been interested in how people think, how they react to challenges in their lives - what makes people tick. I've also always been passionate about social issues and causes, and I wanted to make films that addressed important issues in very human terms.
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Most people think companies are basically evil. They get a bad rap. And I think that's somewhat correct.
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Helping people boost themselves out of poverty is the best way to make a lasting positive difference in a person's life.
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I believe that architecture is fundamentally a public space where people can gather and communicate, think about the history, think about the lives of human beings, or the world.
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Eliza Factor's first novel, 'The Mercury Fountain,' explores what happens when a life driven by ideology confronts implacable truths of science and human nature. It also shows how leaders can inflict damage by neglecting the real needs of real people.
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It is commercial pop that the majority of people understand. A working man's daughter would not understand blues.
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People place such importance on the external. It's disgusting.
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The people in the villages had turned in on themselves. You can understand it. When you have a bad day on the field, what do you do? Talk to your teammates.
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In my flat in Chicago, I've got this big room with an office in the corner and a balcony so I can watch people go by.
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I'd just like to be good at sports. I'm extremely competitive with absolutely nothing to back it up.
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My whole thing is to entertain, make people laugh and to forget about the real world for awhile.
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Individually, people are finding that a simpler lifestyle provides greater satisfaction than relentless pursuit of materialism.
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Europeans forget that one-third of the American people have had a personal conversation with Jesus Christ and that the born-again are not just little old ladies in black but also CEOs and provosts of universities and candidates for office.
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While I understand that all things must come to an end, whether it's a television advertisement or one's life or the world itself, it doesn't make it any easier to deal with.
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We think of violence as being conflict and fighting and wars and so forth, but the most ongoing horrific measure of violence is in the horrible poverty of the Third World... and the poverty in the United States as well.
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Rumors sound of galleries asking artists for upsized art and more of it. I've heard of photographers asked to print larger to increase the wall power and salability of their work. Everything winds up set to maximum in order to feed the beast.
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I like it when, you know, 3-under wins, you know, 20-under par, it just brings so many other people into contention.