Paula Creamer Quotes
I think I do my own thing. I start my own trends. I see a lot of girls doing what I've been doing. Pink. Nobody wore pink, and now everybody wears it. It's flattering.
Quotes to Explore
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My father got me involved in the game when I was four years old.
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Being Premier is a 24/7 job, so it doesn't create many spaces in order to be able to build relationships.
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One of the reasons I am successful as a producer is that I've been a very successful housewife.
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You can't bank on the outcome.
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I like to play poker. I have a nice poker group that's been going on for years.
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'Extraordinary' is an original fairy tale, a contemporary story. But like a traditional fairy tale, it heads quickly into frightening, bloody territory. I am afraid for my book, as it goes out alone into the world, just as I was frightened for Phoebe as I wrote and rewrote her story.
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Mobile video is now a reality and a force to be reckoned with. I think it is essential to think about how people interact with their phones; how they consume content and how they share.
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Hollywood used to control the distribution; now Silicon Valley does.
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With brain and body, it's great if you have a connection between the two, but when separated, that leads to a lot of conflict.
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I'm like an old vampire, so it's important to talk to young people.
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Sometimes I think sportsmanship is a little bit forgotten in place of the individual attention.
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It pays to cultivate popularity. It doubles success possibilities, develops manhood, and builds up character.
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What I think I'm perceived as in France is, like, I'm this leading man always doing strange movies because most of the movies I did, like 'Irreversible' or 'Brotherhood of the Wolf' and a bunch of others, and even in France, they always come out as a particular movie, not like the typical French kind of movies that people know most of the time.
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Because Mr. Mandela's early opponents invested so many resources into distorting the true nature of his advocacy, the singular historic moment millions now celebrate could have been tragically lost to guerrilla decontextualization.
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I think the most un-American thing you can say is, 'You can't say that.'
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Right after 9/11 there was a magazine with a cover of kids, mostly 12-14 year-olds, who were being trained for military combat. I thought that this had just gone too far.
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When I was very small, maybe 8 years old, we had a big radio that stood on four legs, and it had a cross piece underneath it, and I used to take a pillow and crawl under the radio.
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I see a flower. It gives me a sensation of the beautiful. I wish to paint it. And as soon as I wish to paint it I see the whole subject - flower - changed. It is now an art problem to resolve.
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When I walk around on the street and someone comes up to me, I have just as many full-grown men with large beards in Slipknot shirts saying he likes my band as much as I do girls with bright pink hair.
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My hair has been this chapter thing for me. In 'Jem,' I have blue hair. 'Insidious,' it's pink. In 'CSI,' I have blonde. I love changing my hair. It's just hair and it grows all the time.
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I guess I'm fascinated with motion because I find that whenever anything is moving, I have some feeling about it. It doesn't matter what kind of motion it is. A motion will always evoke some kind of reaction.
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I guess I have kind of a type. Pretty much anybody who shows up in a black leather overcoat, I've doubled for them.
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I think I do my own thing. I start my own trends. I see a lot of girls doing what I've been doing. Pink. Nobody wore pink, and now everybody wears it. It's flattering.
