Philip Hammond Quotes
I remember the day after the general election when Harold Wilson had lost, I remember quite clearly cycling from my house in Hutton along Long Ridings and feeling what a relief to live in a country with a Tory government again.
Quotes to Explore
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Women often have a great need to portray themselves as sympathetic and pleasing, but we're also dark people with dark thoughts.
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I can just sense some eyes, some people kinda stare a little bit like they recognize me but don't quite know for sure kinda thing.
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My first workshop was in Rome, and that was the start of House of Waris. In a little magical atelier, a goldsmith, his apprentice, his stone setter - and that was where it began.
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When I decided that I might want to do acting for a living - I don't know where it really came from, since there was no school play or any of that - my mom gave me her blessing. I had to get a scholarship - that was the only way I could have gone to drama school.
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I learned at an early age that I was given something special when I was born, and that was the gift of music.
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Running back was always my favorite position.
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At the end of the day, I'd love to see children stop begging their parents to go to the circus. That's what would make me most happy.
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People don't want to pay 8 or 9 dollars to go see a problem that they have in their life, on screen. They pay to get away from that. That's why they watch soap operas.
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We are not interested in cloning the Michael Jordans and the Michael Jacksons of this world. The rich and the famous don't participate in this.
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With my gift, I can pretty much write a song out of anything.
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You have your identity when you find out, not what you can keep your mind on, but what you can't keep your mind off.
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Anybody that believes that a country can be maintained that has no ethnic core to it or no linguistic core to it, I believe, is naive in the extreme.
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Maven is very much a haunting presence in 'Glass Sword.' His influence is everywhere, and he dogs Mare and Cal like no other. He's my favorite character to write because he's so complex, but also because he affects everyone else so deeply. He's kind of like the source of gravity. Everyone moves around him and what he's done.
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The last romantic novel I think I read was 'Tess of the d'Urbervilles.'
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The history of Germany is not the history of a nation, but of a race. It has little unity, therefore; it is complicated, broken, and attached on all sides to the histories of other countries.
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I don't want to dig in the truth all of the time. Let me dream.
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I don't know if I'd say I feel green, but I'm getting to know myself as an actor now in a way that I never did as a kid.
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In England, we have this saying about Marmite: people either love it or hate it. That's like a lot of the movie work I've done. People either find it repulsive or find it really interesting and get engaged in it.
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Once I have a hook I think has potential - enough to spin out more than a hundred thousand words, then I start turning my attention to characters. Who are these people? Why did this thing happen to them? But the hook always comes first.
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The only time I've played a real baddy was when I was Regan in 'King Lear.'
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You lose your home, you lose your community, you lose your school, you lose your stuff.
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Nor must we always be neutral where our neighbors are concerned: for tho' meddling is a fault, helping is a duty.
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Can you imagine what it would be like if all the Aussie film talent was able to make Australian stories?
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I remember the day after the general election when Harold Wilson had lost, I remember quite clearly cycling from my house in Hutton along Long Ridings and feeling what a relief to live in a country with a Tory government again.
