Pauley Perrette Quotes
Pauley Perrette: I was a criminal science fanatic and went to study it in college as well and I think that helped me on NCIS because I was comfortable with the language, I had studied criminal science in school for years.
Quotes to Explore
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How I wish we lived in a time when laws were not necessary to safeguard us from discrimination.
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We had something very special in the Faces. We were blessed to have the fun we had.
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If it's a good song, it's a good song. I'll take it.
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Once I actually get in the studio and I start working, I'm fine, but it's just getting there and these hours of torment with myself and self doubt, thinking 'I'm useless' and 'Who am I, conning myself into thinking I can do it again.'
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In an expanding universe, time is on the side of the outcast. Those who once inhabited the suburbs of human contempt find that without changing their address they eventually live in the metropolis.
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With all the great products that are apparently out there that are undetectable, for me to take something like that... when people take things that now aren't even being tested for, does it make any sense?
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The production value of YouTube videos is not there.
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What role should religion play in the American public school classroom? My own knee-jerk response would be, 'none whatsoever,' but the Constitution isn't quite so direct on the subject.
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The fundamental thing about my personality is that I think I'm an imposter.
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If you're not in it you can't win it.
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I have always been small, so defenders have always been taller and tougher than me. So that's difficult for me; they foul me sometimes, but there you are - that's what the rules of the game are for.
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'Damages' was cool. It brought me back to New York for a little while, so that was a lot of fun, and I was obviously very excited about the opportunity to work with Rose Byrne and Glenn Close. I'd been a fan of that show before I started working on it.
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I think for a lot of amateurs, their alignment is always out.
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I know that often times a lot of people who work in music, whether they be labels and so on or even artists, want personal recognition. We want to be recognized for something, for what we did. I'd rather my song be recognized for what it's doing and that's important. It's not so important how many people know me.
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Britain in the 1970s was undoubtedly an economic mess because of the oil price explosion.
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We have a bad image in the world, I've got to admit. I just want people to think twice about Colombia. Don't go by the first impression.
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I got to make 'Trishakti' with Arshad Warsi, who was a newcomer at that time. The movie took three years to complete and became dated by the time it was released. The movie did not even get a proper release and bombed at the box office. It was a very bad patch of my life and a big disaster for my career.
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Well, the stuff that has become more commercial doesn't have any edge.
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Having seen my mom in community volunteer work my whole life and in Congress for 25 years, it is true as she often says that she sees her service as an extension of her role as a mother and a grandmother.
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There are subjects where reason cannot take us far and we have to accept things on faith. Faith then does not contradict reason but transcends it. Faith is a kind of sixth sense which works in cases which are without the purview of reason.
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I have a vernacular house on the seaside in Northumberland and an Edwardian semi in south Manchester. They're both exactly as big as they need to be. I can't be doing with an ostentatious, big house - you can only be in one room at a time.
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Thinta flew safely, and I realized how much I preferred being with Hergal and feeling the blood drain out of my head with fright. Actually when I’m with Hergal I always realize how much I prefer being with Thinta and not feeling the blood drain out of my head with fright.
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Pauley Perrette: I was a criminal science fanatic and went to study it in college as well and I think that helped me on NCIS because I was comfortable with the language, I had studied criminal science in school for years.
