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I've always found myself to be most free and creatively open when I'm on my own.
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It's amazing to be nominated for the Brits' Critics' Choice Award 2016. It's such a significant award that highlights the importance of new music, so it's a genuine honour to have been nominated alongside some other incredible new acts from the U.K.
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When I perform live, I'm doing a lot, but I kind of black out. I don't think about it too much.
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I was studying primary school education. I was going to be a teacher. I was going to get my teaching qualification and have that as my safety net and then tackle the music industry.
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I am only interested in celebrating music.
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I enjoy the music I make because I have to - if I didn't, I wouldn't want to make it, and I wouldn't want it to be heard by other people.
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Performing outside is always kind of strange. Usually, you can't hear something, whether it's your voice or instrument, but it's a fun challenge.
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My mission is to just keep creating music. If it helps people in some way, then I'm doing the right thing.
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There is a pressure, but my job essentially is not to listen to that pressure, not to buckle underneath that pressure, but instead to continue making music in the way that I have been making it.
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Every single pair of trousers I own has a plectrum in it.
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I find myself working ten steps ahead of where I actually am on my laptop or keyboard, but I know what the ten steps are. I just haven't got to them yet.
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I find it really difficult to turn my head off. I find it difficult to zone out.