Jacqueline Bisset Quotes
I have watched people who have nothing to do with the film business, but who have become part of the circle for a short period of time. They can be truly devastated when the film wraps and people leave.
Quotes to Explore
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I don't like to rate myself; others can do that.
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Weirdly, often the more I write, the more ideas I have.
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If you just storyboard something, you've already planned it, and you're stuck in the limitations of your imagination.
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A lot of guys try to mingle with me because of who I am. If I encounter a guy with a clean heart, I will go by my instincts. I guess my man won't be from the film industry.
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So, two cheers for Democracy: one because it admits variety and two because it permits criticism.
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You can tell the difference between songs that were created in a garage and songs that were created in the studio.
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The security and the future of Jordan is hand-in-hand with the future of the Palestinians and the Israelis.
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Generally my songs are just some riffs slung together as an excuse for a guitar solo.
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I hardly teach. It's more like a gathering of minds looking at one subject and learning from each other. I enjoy the process.
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I thought of learning cinematography, so I assisted a cinematographer for an ad.
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I try to avoid experience if I can. Most experience is bad.
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As a race, the Negroes are not lazy.
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You have to mind your Ps and Qs a little bit.
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To hear of a thousand deaths in war is terrible, and we 'know' that it is. But as it registers on our hearts, it is not more terrible than one death fully imagined.
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It's a shallow life that doesn't give a person a few scars.
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I prefer the countryside to cities. This is also true of my films: I have made more films in rural societies, and villages, than in towns.
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It's an unfortunate reality of life that toxins are constantly building up in our bodies.
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The ability for consumers to receive broadcast over the air signal is their right.
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When I first came to Columbia University, I was dirt poor. I did not choose to come here - I just ended up here because I had nowhere else to go, having just escaped from China after Tiananmen. I was in a new country where I didn't understand the language, didn't know anybody, and didn't have a penny to my name. So I was desperate and afraid.
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When I was 17, I worked in a mentoring program in Harlem designed to improve the community. That's when I first gained an appreciation of the Harlem Renaissance, a time when African-Americans rose to prominence in American culture. For the first time, they were taken seriously as artists, musicians, writers, athletes, and as political thinkers.
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I came from a small town in Pennsylvania - where 'style' was whatever was new at the Gap. Being on 'Ugly Betty' at such a crucial time in my life sparked my love for the industry.
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We are like people looking for something they have in their hands all the time; we're looking in all directions except at the thing we want, which is probably why we haven't found it.
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I have watched people who have nothing to do with the film business, but who have become part of the circle for a short period of time. They can be truly devastated when the film wraps and people leave.
