Jacqueline de Ribes Quotes
Clothes, like good architecure, have to correspond to a rhythm of life. You can't be elegant without being graceful, and you can't be graceful if you're not at ease.
Quotes to Explore
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Nothing earth-shattering has happened in men's fashion. How much can you do with men's clothes?
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Putting on someone else's clothes is like putting on a mask.
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Fashion is not about clothes, it is about a look.
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I don't spend a lot of money on clothes, which is weird because I am a fashion model, but when it comes to the new collections coming out, I am just praying designers send it to me for free.
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I wouldn't want to cover a Hank Williams song in a country-western way. It doesn't occur to me instinctually to re-create productions. I'm interested in re-creating songs. Putting different clothes on them.
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Downstairs in my house, I have a museum room. I keep all of my awards down there, and childhood photos, and even all the clothes I've worn on tour, in videos and on album covers.
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Epic were adamant that I should carry on being me. They liked the way I look, my clothes, hats... nothing's changed really.
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It's only I have seen enough of it and the funny thing is now, I know that I'm skinny, because I know there are even smaller clothes in the store. I think I'm big, when I was big, I never thought about it.
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When you left the house today, you had the intention of putting clothes on and you did. You didn't try to put your pants on today. You simply put them on. The same has to hold for all of our intentions. We don't try to be more loving partners. We make the intention, and we act on it.
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I would definitely trade clothes with Lucy Hale. Her fashion sense is right on point, and I feel like she's never afraid to take risks with her clothes.
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Photographers have to make the clothes look fantastic; that's why we get paid.
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My clothes are predominately black and my home is predominantly white.
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I very rarely wear suits, and only make one or two per season, so it's about wanting exceptional clothes that don't feel stiff. Fabric and garment washing are a big part of my design process for that reason. Everything needs to feel lived-in and comfortable.
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I discovered the slip dress, which I think is one of the more French things because when you take off your clothes, even when to go into a shop to buy something, or you're going to Riccardo Tisci to try on a suit, it's like having protection.
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For me, doing a show is great, but I want women to be able to wear the clothes easily as well.
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I cap myself when I shop; I don't like to spend extravagant amounts on clothes. But, I do get lent clothes for events, it's scary to wear something so expensive, but I feel really pampered.
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If I'm going to take my clothes off I figured I might as well do it for something that I'm directing myself since I had complete control of the edit.
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Events are the best opportunities to experiment with clothes, as we have to stick to a character in films.
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I don't weigh myself - it's all about how I feel in my clothes.
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Might, could, would - they are contemptible auxiliaries.
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I'm a big Penn & Teller fan. But I myself was never very good; I was a teenage magician who performed at kids' parties. I can still perform a vanish, credibly, and I still, in special circumstances, will make a balloon animal.
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I like to think of myself as a storyteller.
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Clothes, like good architecure, have to correspond to a rhythm of life. You can't be elegant without being graceful, and you can't be graceful if you're not at ease.
