Jacques Barzun Quotes
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Whoever wants to know the heart and mind of America had better learn baseball.
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Except among those whose education has been in the minimalist style, it is understood that hasty moral judgments about the past are a form of injustice.
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Like Nietzsche, he rails at romanticism, but it is evident that what they both mean by the word is the clichés of second-hand romance. Historic romanticism is in fact the ground-work of their philosophy.
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Teaching is not a lost art, but the regard for it is a lost tradition.
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Varese, Apollinaire, Ezra Pound, Leger, Gleizes, Severini, Villon, Duchamp, Duchamp-Villon, Marie Laurencin, Cocteau and many others were to me household names in the literal sense - names of familiar figures around the house.
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Art distills sensation and embodies it with enhanced meaning in a memorable form - or else it is not art.
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Political correctness does not legislate tolerance; it only organizes hatred.
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The one thing that unifies men in a given age is not their individual philosophies but the dominant problem that these philosophies are designed to solve.
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It seems a long time since the morning mail could be called correspondence.
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No one has ever used historical examples, near or remote, with the detail, precision, and directness to be found in every page of Shaw.
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Whoever wants to know the heart and mind of America had better learn baseball, the rules and realities of the game - and do it by watching first some high school or small-town teams.
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I'll read, and then I'll take naps. When I feel sleep coming on, I give in and don't fight it.
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Idealism springs from deep feelings, but feelings are nothing without the formulated idea that keeps them whole.
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Schools are not intended to moralize a wicked world, but to impart knowledge and develop intelligence, with only two social aims in mind: prepare to take on one's share in the world's work, and perhaps in addition, lend a hand in improving society, after schooling is done.
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On reflection, moral judgment in the arts appears rather as a tribute to their power to influence emotion and possibly conduct. And reflecting further on what some critics do today, one sees that a good many have merely shifted the ground of their moralism, transferring their impulse of righteousness to politics and social issues.
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The greatest artists have never been men of taste. By never sophisticating their instincts they have never lost the awareness of the great simplicities, which they relish both from appetite and from the challenge these offer to skill in competition with popular art.
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Only a great mind that is overthrown yields tragedy.
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Since it is seldom clear whether intellectual activity denotes a superior mode of being or a vital deficiency, opinion swings between considering intellect a privilege and seeing it as a handicap.
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Among the words that can be all things to all men, the word 'race' has a fair claim to being the most common, most ambiguous and most explosive. No one today would deny that it is one of the great catchwords about which ink and blood are spilled in reckless quantities. Yet no agreement seems to exist about what race means.
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The test and the use of man's education is that he finds pleasure in the exercise of his mind.
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Bernard Shaw remains the only model we have of what the citizen of a democracy should be: an informed participant in all things we deem important to the society and the individual.
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The ever-present impulse is to push against restriction and, in so doing, to feel intolerably hemmed in. Thus in practice, every liberation increases the sense of oppression. Nor is the paradox merely in the mind: the laws enacted to secure the rights of every person and group, by creating protective boundaries, create new barriers.
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When plugged in, the least elaborate computer can be relied on to work to the fullest extent of its capacity. The greatest mind cannot be relied on for the simplest thing; its variability is its superiority.