Sam Kinison Quotes
Quotes to Explore
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I don't really feel like I have to have a debate with my husband over issues.
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When I started making movies, I was pretty young, and at the time I felt like there needed to be more confrontation in cinema - or I needed to make something more disruptive - so in the beginning, those movies were me wanting to play with the rules.
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I look at it this way: the WNBA is 13 years young. I think eventually women will get to that point, maybe in my daughter's generation, where their salaries will be similar to men's. But we're still starting off, like, where the NBA was back in the 1950s.
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We're all basically made of the same stuff: generosity and selfishness, goodness and greed.
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I'm not likely to forget where I've been and what I've done and learned. I think it's just as important to play new instruments as to play new pieces. The old ones are getting scarcer and the new ones more and more wonderful.
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Once you come and see Kiss, you either love us or you hate us.
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I always had dreams as a kid. I definitely sat at home and watched the Oscars every year and got emotional every year at everyone's speeches.
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I never really address myself to any image anybody has of me. That's like fighting with ghosts.
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All achievements, all earned riches, have their beginning in an idea.
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Almost immediately, I remember right when Tikrit even fell, a few days after Baghdad fell, there was talks of insurgency, there was talks of jihad and of resisting the American occupiers, and slowly this turned into an organized movement.
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Sometimes street knowledge can be as important as book knowledge.
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I usually have more than one thing I'm working on at once - I've been working on three different novels. When I get stuck on one, I hop back and forth.
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I think it's much harder to have a long dialogue scene than an action scene. An action scene is long, but it's not really hard. It's kind of boring, really. It looks good at the end, but to shoot it, it's not the most exciting thing.
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A man notices a woman's figure when she walks in a room. Women have eight million words for blue; a man says dark blue or light blue.
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I was a boy with one dream and one dream only: I wanted - no, strike that, I was desperate for - a room of my own. You see, in those days I shared a room with my little brother, Jesse, and it wasn't pretty. He was the Oscar to my Felix: messy, careless, and just a little bit sticky - exactly the way a kindergartner is supposed to be.
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I am aware that I look good for my age. It's my genes. My dad looked incredibly young, so did my mother. And a younger husband helps. Scott is only 45. If he hadn't come along, I don't know what I'd have done.
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I like to leave a film open-ended, with a lingering feeling. I'll not do sequels of any of my films till I have subjects to explore.
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During my adolescence, our family dwelt in rural Alaska. We were dirt poor, Depression-era poor. Tarpaper shack and kerosene lamps. In those days I read because that's all I had. I wrote because that's all I had.
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I'd rather promote New York than anything else in this world because New York to me means the world.
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In many ways, our homes act as one big drain that, through our daily relationship with water, carries many toxic substances into our waterways and the environment.
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I have nothing to hide, and I call upon those who are scared by the National Front to look up the National Front's manifesto. It's quite easy on the Internet.
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I don't know if it's ever OK for someone to be selfish. Perhaps there's a time and place to be self-centered, but I think selfish never wins the race.
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Yoga allows you to rediscover a sense of wholeness in your life, where you do not feel like you are constantly trying to fit broken pieces together.
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I'd rather entertain people than offend them.
