Jaime Federico Said Camil Saldaña da Gama Quotes
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The most important thing is to understand that this career is not about speed. It's about stamina. This is a marathon. It's not a 50-meter sprint. You have to persevere and understand it takes a lot of time. You have to know you're going to knock on 100 doors and 99 of them are going to close in your face.
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I do more films than television, and in Mexico, they are more situational comedies - not the typical telenovela.
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When you have kids, all your plans, everything that you do is for them to have fun.
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I love to be a working actor, and I love to read scripts as they come in. If I find the script or character that is interesting, I want to transform myself into that character.
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The classic story of the Univision network is the mainstream pretends that the network doesn't exist, but then when it comes to sweeps or the ratings, they just have millions and millions more viewers than ABC, Fox, and CBS combined; it's that kind of a success story.
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Novelas are very respected in the Latin world.
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The real mariachis in Mexico are singers like Agustin Lara and Pedro Infante and Jorge Negrete - the Golden Era of Mexican Filmmaking. Mariachis sing very soft and very beautiful. That's old-school mariachi. They are caressing the songs.
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The projects I have done on television, they're sitcoms, situational comedies. The problem is, maybe because they go on every day, Monday through Friday, one-hour format, maybe that's why they're labeled as a telenovela. But technically speaking, they're sitcoms because they're situational comedies.
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In Mexic,o the concept of a sitcom doesn't actually exist - even if you do a sitcom, technically speaking, because it airs from Monday to Friday, they put it in the telenovela category. But, of course, I am from Mexico and grew up with the telenovela culture.
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I love to read scripts. But I am very happy right now to say that I am a working actor. In this town of Los Angeles, the phrase 'I'm an actor' is overrated. So, I like to say, 'I'm a working actor.'
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I love theater. That's what I did in Mexico City. I did a lot of musical theater, and it's where my heart is.
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One of my dreams has always been to be in a Broadway musical.
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The worst job I ever had was when I had to try to sell a service for medical waste treatment.
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When you do a good comedy show, you have to understand that if you don't have drama or sad moments, then the comedy turns into a clowning kind of situation.
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I do love situational comedy, clowning, and slapstick; I approach that with a lot of respect. The goofier you are, it doesn't mean you're going to be funnier.
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I don't know if I felt successful, but I did feel a difference in my career, or in how people perceive me, or how people reacted on the street right after I did the Mexican version of 'Ugly Betty.' That show was a complete success, thank God. It broke historical ratings records in Mexico and also the U.S.