Mary Pope Osborne Quotes
Quotes to Explore
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If you interact with anyone, ultimately, all people are the same. However they're dressed, when you're in the house with a person, they're going to be a regular human being.
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I've been in this business for 40 years - you do a show, and you don't know what's going to come of it.
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In Sweden, they broadcast the American shows in English with Swedish subtitles, whereas in many European countries they dub them. Watching those shows in English was big for me.
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The art of storytelling is reaching its end because the epic side of truth, wisdom, is dying out.
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Consciousness is indeed always with us. Everyone knows 'I am!' No one can deny his own being.
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I study what's happening in music. I want to sound different than everybody else.
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The Japanese version comes with a translation, but that's different from the lyrics, so people could look things up and find a translation of their own if they're interested.
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I view myself primarily as a trial lawyer who happens to be writing, as opposed to a writer who happens to be a trial lawyer, so the audience is like a jury to me.
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In the Seventies, a lot of executions via electric chair failed because of technical problems. Seed tells the true story of someone who survived and sought revenge. They buried him alive to make it seem he was dead.
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I wonder now how tough you have to be to get big things done.
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I made a very slatternly mother, notably unkeen on housework, unaware that homes need to be cleaned now and then, and too often to be found with a cigarette in one hand and a drink in the other.
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Layering in different patterns will keep things from appearing too studied.
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Not obsessed with particularly Nike, but sneakers in general. I love them.
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I have been fortunate that publications like the 'New York Times' and 'The Wall Street Journal' have allowed me to share some of my opinions with a wider audience.
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Hillary Clinton almost got to be president. The reasons why she didn't become president had to do with bad judgments about how to handle the early caucus states, which is not a gender-specific trait.
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I did not want to go out at 5:30 in the morning with my stocking cap and my navy pea coat on and shoot lines and grades for the rest of my life.
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The Gorillaz cartoons seem more real to me than the actual people on TV. Because at least you know that there's some intelligence behind the cartoons, and there's a lot of work that's gone into it, so it can't all be just a lie.
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Silk Road to Ruin has all the analysis and it's structured very well. I rely on my notes more and I use direct quotes. But there's nothing like writing about it right away.
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On the first album, we were trying to do a pop-punk album with a classical influence. We'd say 'pop-punk,' and people would say, 'No, you're like burlesque-cabaret-punk,' or, 'It's baroque-pop,' and we were like, 'That sounds way cooler.'
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Music is something so mystical, so unexplainably a thing you cannot put in the rules or boundaries, you know? It speaks about our feelings about questions of life and death. It goes absolutely beyond any kind of rules.
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The last page of [Lincoln in the Bardo] - without giving too much away - involves somebody entering somebody else. Not in a sexual way. But it says one of the simplest things you could ever say, which is that we must try and be inside each other. We must have some kind of feeling for each other and enter into each other's experience.
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I knew I wanted to do something creative. I didn't think I'd have the luxury of doing something like that, because I didn't know anyone who had pursued anything they really adored, but I had dreams for singing or writing.
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I've been gearing up for this future of writing a lot of new music by digging into my favorite old stuff, and twisting it around and highlighting the things I really love.
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I love using my imagination. I love writing about animals.
