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It's wonderful that Poland is free again and there's open debate and people can pursue their interests. I'm all for it.
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I always thought that life is full of stories and characters that feel like literary stories and characters. So when I started making documentaries, they weren't humble empirical things, just following people around. I was always trying to impose a story.
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I try to turn a place on film into a mental state. I always have three or four locations that I repeat and return to in a film, to make it more mythic. But my fiction films are relatively subjective stories, experienced though one character. And that always justifies a little stylisation in terms of landscape.
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The most interesting stuff happens when an authoritarian government removes itself a little and gives this margin of freedom. And then art is grabbed with both hands.
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Art is not journalism. In art, you don't make it to convey a message.
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I dread to be compared to all these directors who have a lot of spontaneous emoting and swearing in their films - that is death; it's a cul-de-sac. It doesn't lift the material at all. It's just a cliched reproduction of what we think is normal behaviour.