Pawel Pawlikowski Quotes
I try to turn a place on film into a mental state. I always have three or four locations that I repeat and return to in a film, to make it more mythic. But my fiction films are relatively subjective stories, experienced though one character. And that always justifies a little stylisation in terms of landscape.
Quotes to Explore
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Comfort and luxury are usually the chief requirements of life for your ego - its top priorities tend to be accumulations, achievements, and the approval of others.
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People think I look odd onstage. But the way I deal with being incredibly nervous is by concentrating really hard.
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I am a little obsessed with surprise kitty.
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I have two older brothers. I am the baby. We're all very, very close. We're great communicators, so we get along really well.
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If you have not been a villain at a certain point in time, you will never be a hero. And the day you are a hero, you may become a villain the next day.
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I'm one of those foolish people who believe the glory days of the record industry aren't behind us. They're actually ahead of us.
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I was with the Jessie Bonstelle Stock Company in Detroit and Buffalo for three seasons - 10 performances and a new play every week. She was an amazing woman who did a great deal for me.
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I was a breakdancer as a kid. I was on one of the top break dancing teams in Australia.
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Man can never be a woman's equal in the spirit of selfless service with which nature has endowed her.
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Mind is everything. Muscle - pieces of rubber. All that I am, I am because of my mind.
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I'm a warrior for the middle class.
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We have a great country, we are a great nation - let us trust in it.
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Do you know what a showmance is? It is like being at a summer camp when you're a teenager. You spend summertime away from your home. When you spend three months very closely with someone at a particular place, it is like a summer love. You have no choice but to get involved with that person.
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The first time I worked with colors was by making these mosaics of Pantone swatches. They end up being very large pictures, and I photographed with a very large camera - an 8x10 camera. So you can see the surface of every single swatch - like in this picture of Chuck Close. And you have to walk very far to be able to see it.
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A well begun is half ended.
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I look formidable.
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Tech never comes back the same.
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If the blood humor is too strong and robust, calm it with balance and harmony.
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Portraying this character Diwata has really given me an opportunity to get in touch with that side of myself, which I haven't been for a few years. And I do know what it's like to be different from people around you and not fit into the prototypical mold of what America sort of thinks a girl "should be."
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I'm pretty far from the character I play, so it's fun to mess around and be a 15-year-old again.
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NASA was going to pick a public school teacher to go into space, observe and make a journal about the space flight, and I am a teacher who always dreamed of going up into space.
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I'm still as enamored and turned on by work as I was when I was young.
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As the lead of a movie, you really set the tone off-camera as well, and that's a really big responsibility.
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I try to turn a place on film into a mental state. I always have three or four locations that I repeat and return to in a film, to make it more mythic. But my fiction films are relatively subjective stories, experienced though one character. And that always justifies a little stylisation in terms of landscape.
