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I'd seen Jose Padilha's 'Elite Squad 1' and '2', and I'd seen his documentary, 'Bus 174'.
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I've always wrote off the demographic of superhero films because it's just not really something I can relate to.
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You don't really have to dress a ton of actors. You don't really have to spend a bunch of money lining up extras to look the time period.
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The audience is already doing so much, so I don't make them work any harder.
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I love hats. I love vests. I do like to look sharp.
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Skinny jeans and an extra big t-shirt. Ugh, I cannot stand that. It looks like an idiot: it's just proportionately wrong. And the super, super, super, super, super, super, super skinny jeans. I don't think you can get anything done when you're wearing clothes that tight.
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I collect hats, and I'm really big into Stetsons. Not particularly the Stetsons brand but that sort of fedora-type. I just think it's sharp.
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Netflix is in every country except China and North Korea.
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You don't want to play the same role twice.
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Sean Penn, for his acting as well as his writing and directing. There are so many actors I respect, but his reach is so wide.
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There are all kinds of directors I want to work with and all kinds of films that I want to do.
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There's a lot to be said about stability. So many people don't get married nowadays - you see it less and less - but it's a shame if you don't ever have that experience of sharing something with someone else. It's a real shame.
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I've never read a comic book in my life.
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For an actor to go to work every day is an extreme blessing.
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I wrote a lot. I was in programs for drawing when I was a kid.
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You're constantly working and missing meals. You're away from your family, and you're doing it for, like, eight months.
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I saw an amazing film when I was 16 called 'Slam'. It's about a spoken-word poet. Saul Williams is in it.