Jam Master Jay Quotes
Quotes to Explore
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I'm ready to stretch my legs. I'm ready to jump in the ring.
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I don't have a phone, but I do have an iPad.
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I find dates, in general, horrific. We have to sit there and ask these questions and pretend to eat a meal, and it just feels so stiff.
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One reason we love fiction is because stories have a comforting shape. They provide a resolution that's lacking in our regular lives.
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Stand with anybody that stands right, stand with him while he is right and part with him when he goes wrong.
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Some of our best journalists take themselves even more seriously than the politicians they write about.
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There is no one looking out for us. We are all alone.
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Have you learned the lessons only of those who admired you, and were tender with you, and stood aside for you? Have you not learned great lessons from those who braced themselves against you, and disputed passage with you?
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I don't know what the instinct is, to save every report card, every half-sentence scribbled note, but my mother did it pretty effectively, and I've done it to a fare-thee-well.
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I think you have to do certain things in the pilot to get your network's attention - to break through... So maybe you push a little further in the first show.
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There really is no difference between the bully and the victim.
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I will tell you with 100 percent confidence, Jon Jones is not deep in my head. The fact he actually thinks that, it makes me smile every day.
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Children are apt to live up to what you believe of them.
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I've never worn fur, either. I'm a naturally squeamish person, and fur smells like dead animal to me.
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When you argue with your inferiors, you convince them of only one thing: they are as clever as you.
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I wasn't completely comfortable in the footy culture because I wasn't that comfortable in my own skin, which I am now. I'd fit in better now, but I don't miss the training and the injuries you get playing footy.
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My songs are very personal, which means they are fantastically therapeutic to write, but performing them night after night is emotionally draining.
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Doing collections, doing fashion is like a non-stop dialogue.
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I was at Second City L.A., going through the conservatory, and I graduated in 2004 and I got 'SNL' in 2005.
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There was this wonderful trick of going to the theater with my parents and sitting in the audience under the watchful eye of an usher, and then these other people would come on the stage: They spoke differently and had different clothes and hair. Afterward, they would come back, and they were my parents again. It was magic.
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If you open up the mind, the opportunity to address both profits and social conditions are limitless. It's a process of innovation.
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Power corrupts. Absolute power is kind of neat.
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When working on my choreography I am not always receptive to outside suggestions or opinions. I believe that if you have something in mind in the way of a creation, such as a new dance, a sequence, or an effect, you are certain to come up with inaccurate criticism and damaging results if you go around asking for opinions.
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At the beginning, it was me, Run and D, but D's voice is messed up.
