James Bobin Quotes
Quotes to Explore
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Graffiti has an interesting relationship to the broader world of hip-hop: It's part of the culture, but also in a weird way a stepchild of the culture.
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You go where you think it's good for your work and your soul to go. I need to go someplace where I am reminded about why I wanted to act in the first place, and for me, that's the theater.
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Christmas is, of course, the time to be home - in heart as well as body.
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People don't get through to the essence of you right away - it's always the famous 'girl' or the famous 'girlfriend'. I'd rather be known for myself.
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I am not an enemy of the Negro. We want him here among us; he is the only laboring class we have.
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In one week, I went from being a girl who owed a guy thousands of dollars - my manager Anthony was paying for my outfits, paying for my food; I was sleeping in his parents' basement - to taking meetings with every major label in America. The next morning, I had a record deal and wrote him a cheque to pay back all that money.
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When I wrote 'Green, Green,' it was like a really a statement of where I was at philosophically in my life.
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My first job ever was on 'Peak Practice.' I just had to walk up the stairs. They kept the take where I slipped slightly, which was annoying.
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When you're a young actor, there's this pressure to rush. But I hope to be doing this into my sixties and seventies, so I'd prefer to take my time.
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I moved to New York when I was 21 and worked between 40 and 70 hours a week. Then I invested it all. It was really just a hustle. But I was kind of raised to work like that, so to me, it seemed very normal and natural.
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We are in favor of greater free markets.
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I had one week in the fall of 1996 where I was like, 'I'm America's greatest living teenage poet.'
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I don't want to be on the Internet.
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I used to be a professional kiteboarder. People were like, 'Oh, my God, are you scared of sharks? Are you scared of injuries?' You can't be scared. If you're scared, then you can't do it. You can't train to be the best.
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It is through gratitude for the present moment that the spiritual dimension of life opens up.
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I think Hollywood wants to be safe. The things you do first become your calling card, and I think people just sort of go, 'Well, we know he can do that.' They kind of put you in that hole.
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Well, it is curious what lasts and what doesn't. Publishing empires and whatnot would pay anything to figure it out. But they can't figure it out.
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We make music for a living. Like I've always said, if you like what you're doing, you're halfway there; if someone else likes it, that's even better. If they don't like it, at least you like it. Not to be selfish, but you kind of have to be.
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The last thing you want to do is finish playing or doing anything and wish you would have worked harder.
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When you fight something like cancer, you not dealing with a person that looks at where you come from or what's your background or what race you are or what ethnicity or whatever. Whatever your culture is, it doesn't care about that. It doesn't sleep - it doesn't get tired - so if you make it about yourself, you're going to fail every time.
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If the God of revelation is most appropriately worshipped in the temple of religion, the God of nature may be equally honored in the temple of science. Even from its lofty minarets the philosopher may summon the faithful to prayer, and the priest and sage exchange altars without the compromise of faith or knowledge.
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The water was like a physiological stimuli to the subconscious that overwhelmed people with too much psychoanalytical material, you might say. People could do 10 breathing sessions without the water, and then they did breathing sessions in the water.
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The thing that's really kept me on my toes is how my mom would always tell me - it's not the best thing for a mother to tell you - but she'd never tell me after I'd lose a soccer game, 'You'll do better next time.' She'd always say, 'There's always somebody better.'
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Everything in culture moves in a cyclical way.
