James Bobin Quotes
Quotes to Explore
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Graffiti has an interesting relationship to the broader world of hip-hop: It's part of the culture, but also in a weird way a stepchild of the culture.
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You go where you think it's good for your work and your soul to go. I need to go someplace where I am reminded about why I wanted to act in the first place, and for me, that's the theater.
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Christmas is, of course, the time to be home - in heart as well as body.
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People don't get through to the essence of you right away - it's always the famous 'girl' or the famous 'girlfriend'. I'd rather be known for myself.
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I am not an enemy of the Negro. We want him here among us; he is the only laboring class we have.
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In one week, I went from being a girl who owed a guy thousands of dollars - my manager Anthony was paying for my outfits, paying for my food; I was sleeping in his parents' basement - to taking meetings with every major label in America. The next morning, I had a record deal and wrote him a cheque to pay back all that money.
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When I wrote 'Green, Green,' it was like a really a statement of where I was at philosophically in my life.
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My first job ever was on 'Peak Practice.' I just had to walk up the stairs. They kept the take where I slipped slightly, which was annoying.
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When you're a young actor, there's this pressure to rush. But I hope to be doing this into my sixties and seventies, so I'd prefer to take my time.
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I moved to New York when I was 21 and worked between 40 and 70 hours a week. Then I invested it all. It was really just a hustle. But I was kind of raised to work like that, so to me, it seemed very normal and natural.
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We are in favor of greater free markets.
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I had one week in the fall of 1996 where I was like, 'I'm America's greatest living teenage poet.'
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I don't want to be on the Internet.
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I used to be a professional kiteboarder. People were like, 'Oh, my God, are you scared of sharks? Are you scared of injuries?' You can't be scared. If you're scared, then you can't do it. You can't train to be the best.
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It is through gratitude for the present moment that the spiritual dimension of life opens up.
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I think Hollywood wants to be safe. The things you do first become your calling card, and I think people just sort of go, 'Well, we know he can do that.' They kind of put you in that hole.
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Well, it is curious what lasts and what doesn't. Publishing empires and whatnot would pay anything to figure it out. But they can't figure it out.
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We make music for a living. Like I've always said, if you like what you're doing, you're halfway there; if someone else likes it, that's even better. If they don't like it, at least you like it. Not to be selfish, but you kind of have to be.
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MIDI made a natural transition to the PC. The MIDI messages that make up a musical composition can be saved as MIDI files, which are collections of MIDI messages with timing information.
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I try to leave a light footprint. I'm involved with Global Green, which aims to educate people about sustainable building and the greening of schools. I try to be aware about the consumption of unnecessary things in a consumptive culture.
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I'm always most excited about the job I'm doing at the present, and that's especially true about 'Price' because of my respect for the show and it's production team.
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I always sang when I was little-bitty girl. I sang all the time. And then I'm from Knoxville, Tennessee, so I sang in a show at Pigeon Forge, Tennessee. You know, they have all those variety shows where Dollywood is. And I sang there and yodeled and clogged, but I never wrote my own songs.
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It was a mistake of mine to tell the lads that this lot don't score too many goals - and statistically they don't - but then they go and score seven.
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Everything in culture moves in a cyclical way.
