James Bobin Quotes
Quotes to Explore
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Graffiti has an interesting relationship to the broader world of hip-hop: It's part of the culture, but also in a weird way a stepchild of the culture.
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You go where you think it's good for your work and your soul to go. I need to go someplace where I am reminded about why I wanted to act in the first place, and for me, that's the theater.
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Christmas is, of course, the time to be home - in heart as well as body.
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People don't get through to the essence of you right away - it's always the famous 'girl' or the famous 'girlfriend'. I'd rather be known for myself.
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I am not an enemy of the Negro. We want him here among us; he is the only laboring class we have.
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When I wrote 'Green, Green,' it was like a really a statement of where I was at philosophically in my life.
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My first job ever was on 'Peak Practice.' I just had to walk up the stairs. They kept the take where I slipped slightly, which was annoying.
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When you're a young actor, there's this pressure to rush. But I hope to be doing this into my sixties and seventies, so I'd prefer to take my time.
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I moved to New York when I was 21 and worked between 40 and 70 hours a week. Then I invested it all. It was really just a hustle. But I was kind of raised to work like that, so to me, it seemed very normal and natural.
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We are in favor of greater free markets.
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I had one week in the fall of 1996 where I was like, 'I'm America's greatest living teenage poet.'
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I don't want to be on the Internet.
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I used to be a professional kiteboarder. People were like, 'Oh, my God, are you scared of sharks? Are you scared of injuries?' You can't be scared. If you're scared, then you can't do it. You can't train to be the best.
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It is through gratitude for the present moment that the spiritual dimension of life opens up.
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I think Hollywood wants to be safe. The things you do first become your calling card, and I think people just sort of go, 'Well, we know he can do that.' They kind of put you in that hole.
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Well, it is curious what lasts and what doesn't. Publishing empires and whatnot would pay anything to figure it out. But they can't figure it out.
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We make music for a living. Like I've always said, if you like what you're doing, you're halfway there; if someone else likes it, that's even better. If they don't like it, at least you like it. Not to be selfish, but you kind of have to be.
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Laughter is a strange response. I mean, what is it? It's a spasm of some kind! Is that always joy? It's very often discomfort. It's some sort of explosive reaction. It's very complex.
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I've never been interested in a career in modelling, I was interested in my independence. When I was in school, modelling was what I needed to reach independence without having to leave.
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Graffiti has an interesting relationship to the broader world of hip-hop: It's part of the culture, but also in a weird way a stepchild of the culture.
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One of the most salient features of our culture is that there is so much bullshit. Everyone knows this. Each of us contributes his share. But we tend to take the situation for granted. Most people are rather confident of their ability to recognize bullshit and to avoid being taken in by it. So the phenomenon has not aroused much deliberate concern, or attracted much sustained inquiry. In consequence, we have no clear understanding of what bullshit is, why there is so much of it, or what functions it serves.
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I don't take acting classes - I'm quite an autodidact. I prefer to learn from other actors by watching various movies. Evaluate my acting, spot the flaws and fix them.
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Everything in culture moves in a cyclical way.
