James Boswell Quotes
Quotes to Explore
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You can have the greatest player in terms of mastering an instrument and you could be yawning your head off when you hear them. So, it's not what you do, but the way you're doing it and in the end that's all that we have.
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To receive everything, one must open one's hands and give.
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No one could ad lib like Peter. You would think that it was all scripted, he was so poetic, but it wasn't.
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How people treat you is their karma; how you react is yours.
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Different directors have different things, so when I left Mike Leigh, as it were, and I went into other projects after 'All or Nothing,' it took some getting used to - what do you mean there's a script?!?' That kind of thing.
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You have to really prove yourself to young people, and if your answer is clear and consistent and loving - even if it's angry and disappointed - what's important is that you're being real and honest and not going anywhere.
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I am proud to have played a small part in ensuring that no veteran's heroic service will be cast aside due to prejudice.
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You don't need a machine to make pasta: a rolling pin and a fast hand can create a smooth, if thick, sheet.
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Unfortunately, music devolved instead of evolved. The music business got into the hands of lawyers and accountants rather than the entrepreneurial creative people, and that's when the beginning of the end started. It's all based on money instead of art and creativity.
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Our atheism family tradition is traced to a - I don't know if it was great-great or a great-great-great grandmother who was a poor Irish-American woman in the 1880s in western Montana.
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Beware of the company you keep. See that you associate with the right type of people.
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Modes are infinite, and laws are infinite.
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There might well have been an Irish great-great-grandfather of mine back then in the 1800s.
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I didn't want to kill a man. I'm not capable of killing a man. I wanted to kill a tyrant.
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Being able to go forward has been good, you know? I'm lucky to have that ability, to pressure guys and make them falter and wilt.
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I am very, very clear on how difficult it is for a young kid out there to go into the arts without taking a lot of heat from his peers.
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I think the NBA players have to be held accountable in a reasonable way, just like any other professionals.
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I'm often asked how I write books, but I don't think my approach is suitable for everyone. If I walked into a creative writing class, all I could say to them was 'I tend to make it up as I go along.' I'm not sure that's brilliant advice.
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I am basically the sort of person who has stage-fright teaching. I kind of creep into a classroom. I'm not an anecdote-teller, either, although I often wish I were.
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Even if I did give a good talk, is what I have to say more important and interesting than what Colin Powell said?
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The biggest challenge was trying to convey the story of the making of a film that isn't finished yet - and which won't be finished until the third film, The Return of the King, reaches our cinemas towards the end of 2003!
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The mind that has not been developed or trained is very scattered. That's the normal state of affairs, but it leaves us out of touch with a great deal in life, including our bodies.
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There are so many interpretations that this film [The Lobster] could be approached from. But Yorgos [Lanthimos] is so specifically minded, he's so clinical in his direction of the film.
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A good pun may be admitted among the smaller excellencies of lively conversation.
