Philip Roth Quotes
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Fluency can be a sign that nothing is happening; fluency can actually be my signal to stop, while being in the dark from sentence to sentence is what convinces me to go on.
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To become a celebrity is to become a brand name. There is Ivory Soap, Rice Krispies, and Philip Roth. Ivory is the soap that floats; Rice Krispies the breakfast cereal that goes snap-crackle-pop; Philip Roth the Jew who masturbates with a piece of liver.
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Is an intelligent human being likely to be much more than a large-scale manufacturer of misunderstanding?
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That body is still new to her, she's still trying it out, thinking it through, a bit like a kid walking the streets with a loaded gun and deciding whether he's packing it to protect himself or to begin a life of crime.
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This indictment is a kind of fever that flares up from time to time. It flared up after 'Defender of the Faith,' again after 'Goodbye Columbus,' and understandably it went way up - to about 107 - after 'Portnoy's Complaint.' Now there's just a low-grade fever running, nothing to worry about.
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Writing, for me, was a feat of self-preservation. If I did not do it, I would die. So I did it. Obstinacy, not talent, saved my life.
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With the draft, everybody was involved. Everybody was fodder. When you got to be 21, 22 and graduated from college, for two years your life stopped. If you had been running in the direction of your life, you had to stop and do this other thing which was, if not menacing, just plain boring.
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They the young are not 'no-longers,' losing faculties, losing control, shamefully dispossessed from themselves, marked by deprivation and experiencing the organic rebellion staged by the body against the elderly; they are 'not-yets,' with no idea how quickly things turn out another way.
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Just like those who are incurably ill, the aged know everything about their dying except exactly when.
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There is truth and then again there is truth. For all that the world is full of people who go around believing they've got you or your neighbor figured out, there really is no bottom to what is not known. The truth about us is endless. As are the lies.
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The road to hell is paved with works-in-progress.
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I think I write and publish as often as I do because I can't bear being without a book to work on... I don't feel I have this to say or that to say or this story to tell, but I know I want to be occupied with the writing process while I'm living.
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Novel-writing is, for the novelist, a game of let's pretend.
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I do the same kind of rewriting that I do in the shorts that I do in long books - and that is a lot. The book really comes to life in the rewriting.
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Fear tends to manifest itself much more quickly than greed, so volatile markets tend to be on the downside. In up markets, volatility tends to gradually decline.
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Life is just a short period of time in which you are alive.
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Unless one is inordinately fond of subordination, one is always at war.
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In the eighties, a self-assured knucklehead whose unsurpassable hollowness and hackneyed sentiments and absolute blindness to every historical complexity became the object of national worship and, esteemed as a 'great communicator' no less, won each of his two terms in a landslide.
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History... is a nightmare from which I am trying to awake.
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My traducers propound my alleged malefaction as though I have spewed venom on women for half a century. But only a madman would go to the trouble of writing 31 books in order to affirm his hatred.
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They boo you, they whistle, they stamp their feet-you hate it but you thrive on it. Because the things that wear you down are the things that nurture you and your talent.
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I am thirteen. At long last, not a cored apple. Not an empty milk bottle greased with vaseline, but a girl in a slip, with two tits and a cunt -and a mustache, but who am I to be picky.
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...her breasts swam towards me like two pink-nosed fish and she let me hold them.
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Turned the wrong way around, the relentless unforeseen was what we schoolchildren studied in 'History', harmless history, where everything unexpected in its own time is chronicled on the page as inevitable. The terror of the unforeseen is what the science of history hides, turning a disaster into an epic.