Philip Schultz Quotes
-
I can't remember a time when I stepped into an airport or train station without wishing I were somewhere else, doing almost anything else. Just thinking about traveling gives me the willies. Traveling and dyslexia don't really get along.
-
When a child knows that he or she is dyslexic, that it's the way their brain is programmed, and it's not their fault, that makes all the difference in the world.
-
I didn't learn how to read until I was at the end of fifth grade and 11 years old and held back.
-
I'm a painfully slow reader. And to this day, I mean, I love reading, and I'm very careful - very selective about what I read because I don't read very fast and, therefore, not a great deal.
-
My imagination was a great place to escape from all the anxiety and disapproval of my life... I had to live in my head... art was a way of making myself feel better.
-
I not only couldn't read but often couldn't hear or understand what was being said to me - by the time I'd processed the beginning of a sentence, the teacher was well on her way through a second or third.
-
I don't think I've worked with anyone where I haven't seen some progress. Now sometimes you can't take someone where they want to go, not all the way, and sometimes you stop, and they do it or don't do it on their own thereafter.
-
Dyslexia lends itself to original thinking, not rote formulas, because you can't do the formulas - you think up your own method based on intuition and instincts. Creativity is trial and error, trying to figure out a way to do something emotionally and intuitively.
-
Most people try to avoid cliches. It's my ambition in life to try to get 'em right!
-
I come from a family of Russian immigrant Jews who were all big storytellers, who would get together, and one would try to top the others' stories, and stories would get bigger and bigger. And the lying aspect, the exaggeration, would get large.
-
As a poet and a teacher, I read all the time. I know I read slowly. I like reading, but I don't read any more than I have to.
-
I think one's relationship with one's vulnerability is a very delicate and precious relationship. Most people try to hide, disguise that vulnerability, and in doing that, you, I think, diminish a great source of power.
-
I think I was 16 when I had the thought of maybe being a writer. And this is complicated, something I only now understand, because when I was young, having dyslexia and not knowing it made reading such an ordeal.
-
If I get the idea, and I get some clarity on how I feel about that idea, then I can safely assume I'll find the right words. I do have that confidence.
-
Failure has been the great theme of my life, I think.
-
I do think that there is a profound reservoir of creativity and imagination in everyone I've ever met, and sometimes if someone is persistent and perversely obstinate enough to persevere, then they want to be helped. There is a way to help them.
-
I was well into middle age when one of my children, then in the second grade, was found to be dyslexic. I had never known the name for it, but I recognized immediately that the symptoms were also mine.
-
I'd grown accustomed to seeing myself as someone who, if fallible and unworthy, had nevertheless managed to do one thing well enough to get recognition for it.
-
I write slowly, and I write many, many drafts. I probably have to work as hard as anyone, and maybe harder, to finish a poem. I often write a poem over years, because it takes me a long time to figure out what to say and how best to say it.
-
The word 'novel' carries, for me, a weight as ominous, all-consuming and unforgiving as any Job encountered.
-
I eventually just imagined being a little boy who was quote unquote 'normal': who could learn like all the kids around me that I felt excluded from. And I imagined myself into one of these and into someone who could read.
-
Suddenly, I was reading these comics. I was looking at those bubbles, those dialogue bubbles, and suddenly there were words... recognizable words.
-
I found many ways around my dyslexia, but I still have trouble transforming words into sounds. I have to memorize and rehearse before reading anything aloud to avoid embarrassing myself by mispronouncing words.
-
There is a gap in my work from '84 to 2002, 18 years where I stopped writing. I was working at fiction and other things and starting a school and getting married and starting a family, but I wasn't writing poetry for the better part of 15 years.