Mary Steenburgen Quotes
I was a waitress for six years in New York. I actually got fascinated to see how fast and how good a waitress I could be. I was doing it, so I tried to do it as well as I could.
Quotes to Explore
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The reason for not getting married was that I just didn't have a partner to get married to. Climbing mountains was more attractive to me than marriage, or other fun things like that.
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I know I'm in the exceptional position of having money, but I didn't have it for many decades. I'm always trying to get shows put on for 25 per cent less production costs.
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Whatever life lesson I'm going through at any point in my life, projects just somehow magically appear that help me work through it.
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For me, it is very important to control a situation in defence. You can always score goals, but you have to add stability in the defence.
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I grew up poor in India, and there were days when we struggled to find food and other basic necessities. Our mother worked odds and ends jobs to keep the family together and educate us.
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Natural selection, as it has operated in human history, favors not only the clever but the murderous.
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I don't want to say anything because I know I am unable to protect you from the harm that I see.
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It's very hard to put forth a film that's about love and the joy of love and for it not to be patronising and not make people nauseous or make them roll their eyes.
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There is not one New York but thousands - mixed-up conurbations and microclimates with their own internal logics and charms, dreams and juxtapositions, faces and tongues.
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Before every show, we get into a circle, hold hands, and someone makes a speech. Most bands are too cool for that.
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Although sometimes I might sound sometimes idealist or too optimistic but I think my father used to say to me in everything bad there's something good that is going to come out of it and there will always be a tomorrow.
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I went to a Catholic all-girls school, and we would play cassettes of music we liked, and when it was my turn, they would laugh at my choices. I would play Billie Holliday, Elmore James and Howlin' Wolf, but it was fine; if I had to listen to their choices, they had to listen to mine.
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It's just different in the music world. You come more with an entourage.
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I do periodically ride a bus with my kids.
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Whenever I visited China in the past, the relationships always felt superficial; there was no time where I felt those moments of conflict and delight that make you feel close to another person. But since I started touring there in 2004, I would always collaborate with local musicians, and that opened up a new level of intimacy.
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I want to be the first person to laugh at myself. It makes other people feel at ease - we're all on an even playing field.
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As soon as I got out there I felt a strange relationship with the pitcher's mound. It was as if I'd been born out there. Pitching just felt like the most natural thing in the world. Striking out batters was easy.
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You'll see the most perfect person, and you are like, 'God, she's, like, perfect.' And then she'll tell you everything that's not perfect. Everyone has their own special set of problems - in their own minds.
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When a writer doesn't show his face, he becomes a local symptom of God's famous reluctance to appear.
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I've had a great love for Al Pacino's work since I first saw him on the stage doing 'The Indian Wants the Bronx' in the early '70s. His work is remarkable. He's the real thing.
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There's a general culture in this country to cut all the trees. It makes me so angry because everyone is cutting and no one is planting.
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Be Funny. Be naturally funny. If you're not, get out of the business. Be compassionate.
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I was a waitress for six years in New York. I actually got fascinated to see how fast and how good a waitress I could be. I was doing it, so I tried to do it as well as I could.
