Philip Sidney Quotes
Quotes to Explore
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I would never let somebody say that they're me. That would be the ultimate betrayal of what I stand for.
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Now, performing is second nature and I love every second of it. It is a very emotional thing when I can't play a song; maybe I'm hitting on something that I don't want to deal with. All of it is so personal. It is like therapy.
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Brittany Murphy... who knows if she's going to be around. Kirsten Dunst, I think she's really boring. Reese Witherspoon? She can open a movie.
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I'm going into my first Olympics, whereas people I'm racing against are going into their third and fourth and probably last Olympics. So there's more pressure on them to perform. I've still got a whole future ahead of me. I am not even the Olympic champ.
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Being a public company is really terrible for most companies. I'd say Facebook and Google have done a pretty good job of standing up to the incredible quarterly pressure to hit numbers, but most companies - and I've observed a lot now - don't do a very good job of that.
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With TV, the pace is so fast, the scripts are coming at you, the directors are firing things at you, it's breathtaking.
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The goal is always to do B material in an A fashion.
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Basically, me and Ed Sheeran are kind of Twitter friends – well, I say that. He probably just thinks I'm weird.
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It's really, really hard to get in rooms with people you don't usually work with and try to find common ground.
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Everybody needs somebody.
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I am completely fascinated by the differences and comparisons between real life and fairy tales because we're raised as little girls to think that we're a princess and that Prince Charming is going to sweep us off our feet.
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It's honestly true that money means nothing to me.
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I have thousands of tapes, and photos and fliers, letters, posters, artwork - basically everything that ever happened, I kept. I'm not a hoarder, though. I'm sort of a librarian.
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I don't think anything can touch the expressive range of the guitar.
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I couldn't wait until I grew up. I used to look at my mom's stockings and put them on with her high heels and mess with my hair.
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And let's all be honest here; more of us believe in the American hero Sheriff Joe Arpaio's thorough investigation into your phony birth certificate and phony history than the phony media's smoke and mirrors.
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Toto, I don't think we're talking white-socks-and-sandals any more.
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A true account of the actual is the rarest poetry, for common sense always takes a hasty and superficial view.
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Nature has made all her truths independent of one another. Our art makes one dependent on the other. But this is not natural. Each keeps its own place.
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After all, in supporting phenomenal concepts I am in a sense siding with introspection against the more behaviourist Wittgensteinians. But even so I don't think that introspection is powerful enough to resolve the specific issue about how many colours you can see.
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Hyperbolic headlines always attract more attention than mundane truths.
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When we show people that something is possible that they didn't think was possible it does more than just change things. It changes the way people think about the possibility of things changing. It helps them see that life is not the same day-after day, unsurprising, unending drudgery that so much of life teaches them that it is. And that is a huge contribution to their humanity.
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I'm just a shade over 200 lbs., playing basketball with my son, running, hiking, swimming, and feeling way better than I did at 40. 50 doesn't feel so bad!
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The poet nothing affirmeth and therefore never lieth.
