Quincy Jones Quotes
I go to the favelas in Brazil. It's the same in the South Side of Chicago. It's the same, or just more violent. We're trying to get them to stop selling dope. You see kids with AK-47s, and nine-year-olds with nine millimeters. You know, they don't play. They make us look like nuns.

Quotes to Explore
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I feel like I want to and have to do everything once.
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When something happens far back in the past, people often can't recall exact details. Blame depends upon point of view. There may be a villain, but reality is frustrating because it's often ambiguous.
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When I produce a movie - and I've produced a number of movies, unlike Arnold - yes, I'm frustrated when the union says you can't do this, you can't work past that hour, you've got to break for lunch. But ultimately, they're right. What they do is for everyone's benefit.
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When I played Robert Howard in 'The Whole Wide World', I was struggling with it. There's this dual thing where you feel real good about being able to play this juicy part, and then there's constant shame: 'Who am I to pretend to know who this guy was? Who am I to represent this guy for people who never knew him?'
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Instead of building walls, we should be building bridges.
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There were a couple of things in the intervention that made me know I needed help. One was a letter from my daughter saying that she was ashamed she had the same last name as I did, which will shock you a little bit.
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Perfect partners don't exist. Perfect conditions exist for a limited time in which partnerships express themselves best.
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The ideal American type is perfectly expressed by the Protestant, individualist, anti-conformist, and this is the type that is in the process of disappearing. In reality there are few left.
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Vanity can create a very cruel space for you if you don't know how to manage it.
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Hold the door for a lady. Wait until a lady is out of the elevator.
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I feel fine about getting older because I'm in good shape. I'm 64 and I feel good.
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I have to say that getting to tackle Maria in 'The Sound of Music' at Carnegie Hall was surreal. When I heard my voice, it was all I could do to keep myself from doing a British accent and sound like Julie Andrews!
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People are fed up with the way things are. There is a lot of bitterness out there, a lot of anger about a lack of jobs and concerns for the next generation.
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I educated myself. To me, school was boring.
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I enjoy directing more when I don't have to direct myself. I like when I can just be the director.
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I was a dancer of no repute. But dance taught me a lot. You walk into a dance studio knowing you have to walk out with a dance. You improvise.
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My experience is that's rare - that you have a script that is... what they call 'film-ready.'
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I've made these films, and I'm really proud, but my lifestyle hasn't changed.
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I like to go back to Chinese film-making from time to time. I don't think I can make Chinese films back to back; it's such a big effort. I'd have to take a very long break.
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Coach Noll is not a great one for speeches. He's not the rah-rah type trying to fire us up in the locker room. He gets us ready to play and gives us a game plan that we've grown to believe is going to work. Usually it does.
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I don't know of any actor in any television show that I have ever seen who's given monologue after monologue in a television series.
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I have a master chief that always said, punch and run.
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I go to the favelas in Brazil. It's the same in the South Side of Chicago. It's the same, or just more violent. We're trying to get them to stop selling dope. You see kids with AK-47s, and nine-year-olds with nine millimeters. You know, they don't play. They make us look like nuns.