Neri Oxman Quotes
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The 3D-printing technology has been developing at a very rapid pace.
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In nature, there is no separation between design, engineering, and fabrication; the bone does it all.
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If you believe in Cinderella, and if you can suspend your disbelief at midnight, then you can believe in the interdisciplinary midnight, the 'in-betweens,' and become fortunately entangled, moving from art to science.
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I loathe categorization. I cherish my independence, and I treasure chivalry. I live just fine with ambiguity, and I welcome a good quarrel about all things designed or grown - except for when men misnomer 'confident' with 'poised' and 'passionate' with 'feisty.' I work hard.
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In the United States alone, 450 billion square feet of glass facade is produced every year. What if we could take this chance to use the glass to harness solar energy and allow the architecture to respond to the light and heat of the sun, to create photosynthesis and generate solar energy?
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Our facial skins are thin with large pores; our back skins are thicker with small pores. One acts mainly as filter, the other mainly as barrier. And yet, it's the same skin, no parts, no assemblies. It's a system that gradually varies its functionality by varying elasticity.
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Forms in nature are a byproduct of a reciprocal action between a given material and the conditions of the environment. But in architecture, the process is the direct opposite: First you decide on the form, and then you think how to build it in reality.
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I am equally fascinated and awed by visiting an Alexander McQueen show as I am looking under a microscope.
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I like to mostly wear very simple clothes.
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I believe in the balance between dreaming and building.
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When you celebrate a new idea, it immediately comes through the way you hold yourself and the clothes you wear.
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In traditional 3D printing, the gantry size poses an obvious limitation for the designer who wishes to print in larger scales and achieve structural and material complexity.
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I'm not a mother of children, but I'm a different type of mother where my approach to design is more in line with nature. It's less about dictating and more about editing and listening and allowing something to grow. So I nourish and let the material express what it wants to be.
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Gender is more of a continuum than we are willing to admit when we hit the restroom.
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There is a very beautiful expression in the Hebrew language that's borrowed from spoken Torah... 'All is predicted, and permission is given at any point to change anything.' I think I live by this idiom in the sense that there is always a goal; there is always something to look forward to in life and my creative search, and that goal is there.
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The future of design is a future where anything material in the environment - whether it's wearables, cars, buildings - can be designed with this variation of properties and relationship with the environment that can take part in the natural ecology.
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When I came to MIT, there were four rubrics: science, art, design, and technology. And as you entered your degree, whether it was a master's or a Ph.D., if you were a citizen in one domain, you were a traveler in the other.
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How can we reinterpret 3-D printing in a way that suggests a new design language?
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I approach the world as a whole by taking an integrative approach, not a world of parts, and I like to bring different fields and disciplines together. The same is true with my preoccupation with cultural expression.
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Although I often find that the feminist rhetoric - not feminism - can come across as simple-minded, self-regarding, nuance-averse and reductive - biology to physiology, history to psychology, procreation to gynecology, and so on - I have come to realize that we should all be feminists.
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I don't think of fashion as fashion or biology as biology.
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I don't separate architecture, design, or culture. What's more important is a language of creativity that carries meaning.
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Prior to the Industrial Revolution, hand-production methods were abundant. Craft defined everything. The craftsman had an almost phenomenological knowledge of materials and intuited how to vary their properties according to their structural and environmental characteristics.
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Look at spiders. They use about eight different properties of silk for different functions. The spider is like a multimaterial 3D printer.